Umal. English & Orya
| dc.contributor | Fields, Phil |
| dc.contributor.editor | Fields, Philip C. |
| dc.date.accessioned | 2018-07-27 |
| dc.date.accessioned | 2022-08-19T14:43:06Z |
| dc.date.available | 2022-08-19T14:43:06Z |
| dc.date.created | 1985 |
| dc.date.issued | 1991-05-09 |
| dc.identifier | ota:1458 |
| dc.identifier.uri | http://hdl.handle.net/20.500.14106/1458 |
| dc.description.abstract | Mode of access: Online. OTA website Title proper taken from printed records from depositor Contents: File 1 (umaldoc.1458). Explanation of file format ; File 2 (marks.1458). Abbreviations used in morpheme glosses ; File 3 (pinihas1asc.1458). First half of cultural analysis of the Umal text ; File 4 (pinihas2asc.1458). Second half of cultural analysis of the Umal text ; File 5 (umal1itx.1458). First half of interlinear text ; File 6 (umal2itx.1458). Second half of interlinear text ; File 7 (interfmt.1458) Sprint style sheet "Pinihas Bunggu narrated the story [in November 1985] that became the basis of this article. Simon Ti Eis filled out the background history and cultural meanings of the various customs described. Phil Fields was responsible for the translation and overall organization of the analysis."--from File 3 Phil Field, a Field Linguist, is a member of SIL working with the Orya people of Irian Jaya, Indonesia. This text contains a transcript and translation of a recorded narrative in Orya, the native language, given by Pinihas Bunggu, the head of the Bunggu clan in the village of Guay. The text is accompanied by a cultural analysis that helps to shed further light on the story of Umal |
| dc.format.extent | Text data (7 files : ca. 1, 3.54, 28.7, 28, 37, 52.1, 14.5 KB) |
| dc.format.medium | Digital bitstream |
| dc.language | English |
| dc.language | Orya |
| dc.language.iso | eng |
| dc.language.iso | ury |
| dc.publisher | University of Oxford |
| dc.relation.ispartof | Oxford Text Archive Core Collection |
| dc.rights | Distributed by the University of Oxford under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/3.0/ |
| dc.rights.label | PUB |
| dc.subject.lcsh | Translations -- Indonesia -- 20th century |
| dc.subject.lcsh | Fiction -- Indonesia -- 20th century |
| dc.subject.lcsh | Narratives -- Indonesia -- 20th century |
| dc.subject.other | Electronic publications -- Indonesia -- 20th century |
| dc.title | Umal. English & Orya |
| dc.type | Text |
| has.files | yes |
| branding | Oxford Text Archive |
| branding | Oxford Text Archive |
| files.size | 169057 |
| files.count | 7 |
| otaterms.date.range | 1900-1999 |
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- Name
- interfmt-1458.txt
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- 14.5 KB
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@style[fill no] @modify[hang, indent -14 char] @headert[@=Pinihas Bunggu's Story @=Orya Language, Recorded in Guay, November 1985] @header[@=Pinihas Bunggu's Story @=Orya Language, Recorded in Guay, November 1985] The glosses in this paper reflect the attempt by the researcher to follow Foley and Van Valin [@I<Functional Syntax and Universal Grammar>, Cambridge University Press, 1984]. An analysis of this text will appear in a collection of anthropology studies published by the Summer Institute of Linguistics, Dallas. ABBREIVIATIONS used in GLOSS LINES: @begin[hang, columns = 2] 1sg first person singular 1pl first person plural 2dl second person dual 2sg second person singular 2pl second person plural 3dlM third person dual male 3sgF third person dual female 3sgM third person singular male 3sgF third person singular female ADJ adjective ALREADY already (a modal) AM am . . .
- Name
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FORMAT B:ANTHRO.FMT
STYLE Paper 10.5 inches,TopMargin 4 lines
@tct("�" "e �")
@tct("�" "i �")
@Modify(Hyphens, numbered "%<%;-%]")
@Modify(Numbered, font draft, indent -10, spacing 1, justify
no, above 3, below 3)
BEGIN HEADER
Draft Version: I Too Am A Man
END HEADER
Draft Version:
BEGIN CENTER
I TOO AM A MAN
How manhood is measured, and how scores are settled:
Pinihas Bunggu, Simon Ti Eis, and Phil FieldsBEGIN
ENOTEPinihas Bunggu narrated the story that became the basis of
this article. Simon Ti Eis filled out the background history and
cultural meanings of the various customs described. Phil Fields
was responsible for the translation and overall organization of
the analysis.END ENOTE
END CENTER
For the Orya, successfully killing an enemy traditionally
marked the transition to manhood, and was the normal prerequisite
for being able to marry. Victorious men were given the right to
to wear a nose piece which corresponded to the sex of their
victim as their badge of ma . . .
- Name
- pinihas2asc-1458.txt
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- 28.08 KB
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HEADINGB Mr. Umal's Mistake: The theme of Pinihas' discourse was the murder of Mr. Umal, which was different in many respects from the previous killings and gives rise to further revelations relevant to Orya war practices and manhood. Umal, whom Pinihas referred to as Mister. (Tuan from Indonesian), was the district officer of the governmentBEGIN ENOTEPinihas reveals quite a different view of the Dutch government compared with Martin Maware, whose narration was the basis of the article Of Paradise Lost. The Orya people also remember the Dutch for forcing them to carry large burdens as coolies, for forcing the people to work without pay, and for beating people who were lazy or uncooperative. The Dutch also did not like people to spend long periods of time in the jungle away from their villages, and this was resented as it interfered with the normal hunting and gathering life style of the Orya people.END ENOTE, a man from Ambon. His headquarters were in Bonggo village on the coast. . . .
- Name
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@format[c:inter.fmt] @headert[@=@DR[@b[Pinihas Bunggu's Story] @=Orya Language, Recorded in Guay, November 1985]] @header[@=@DR[@b[Pinihas Bunggu's Story] @=Orya Language, Recorded in Guay, November 1985]] @rf[1] @tx[Maesa, Tuan Umal, maesa, Yakobasa aning] @mb[mae -sa tuan Umal mae -sa Yakoba-sa aning] @mg[that one-PVT Mr. Umal that one-PVT Yakoba-PVT hide] @tx[gulgweka, maehap, sap nolbwak Nos�n] @mb[gul-gwe -ka mae -hap sap nol -blak Nos�n] @mg[FO -REPET-3sgM-PAST this-PURP BECAUSE PL-TAKE FO-MIO-PAST Nos�n] @tx[swehap.] @mb[swe -hap] @mg[deceased-BEN] This is about Mr. Umal, who tried to hide Yakoba (repeatedly) because she had already been given to Nos�n. @rf[2] @tx[Hw�na man aning gulgweka.] @mb[hw�na man aning gul-gwe -ka] @mg[so WAS hide FO -REPET-3sgM-PAST] So he hid her (repeatedly). @rf[3] @tx[Sudah, hw�na Markus swe zep aningkim] @mb[sudah hw�na Markus swe zep . . .
- Name
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@rf[84] @tx[Asya hw�na Tahyal zep mo taka zen,] @mb[asya hw�na Tahyal zep mo ta -ka zen] @mg[immediately however Tahyal THEN POS shoot MO-3sgM-PAST he] @tx[sindol dan ik dannak.] @mb[sindol dan ik dan -nak] @mg[cuscus bone shin bone-LOC] Then right away Tahyal shot him, with a cuscus bone tipped arrow in the leg. @rf[85] @tx[Desa w�r gweblanna, waken z� gw�] @mb[de -sa w�r gwe-bla -n -na waken z� gw�] @mg[that-PVT decorate BE -because of him-INF-TOP over there live] @tx[ara, Tidores bak w�r gweblaka.] @mb[an -la Tidores bak w�r gwe-bla -ka] @mg[PRES -3sgM Tidores honor decorate BE -because of him-3sgM-PAST] The one who was decorated for his death lives over there, Tidores. @rf[85.from other informant] @tx[[Zen deng tyaka, zen hen nokwakam] @mb[ zen deng ta-ka zen hen nokwa -kam] @mg[ he gave sec . . .
- Name
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.fo n
UMAL1.ITX first half of interlinear text
UMAL2.ITX second half of interlinear text
PINIHAS1.ASC first half of cultural analysis
of the Umal text
PINIHAS2.ASC second half of cultural analysis
of the Umal text
MARKS Abbreviations used in morpheme glosses
All of the above are pure ASCII files. The files were
formatted for printing using Sprint (by Borland). The
format markers in the file are easily deciphered, so people
using other text processors will be easily able to reformat
the texts using automatic find and replace procedures.
INTER.FMT is the style sheet used by Sprint to format the
interlinear text. It would be useful only to other Sprint
users.
Please note that the draft of the cultural analysis paper
included is a pre-publication draft. It should accompany
the interlinar text, as the text is very hard to follow even
from the free translation. The commentary in the paper
makes it more understandable. . . .
