The Roaring Girl or Moll Cutpurse

Dekker, Thomas and Middleton, Thomas

The Roaring Girl or Moll Cutpurse

dc.contributor	Oxford Text Archive
dc.contributor.author	Dekker, Thomas and Middleton, Thomas
dc.date.accessioned	2018-06-14
dc.date.accessioned	2022-08-21T11:40:17Z
dc.date.available	2022-08-21T11:40:17Z
dc.date.created	1610
dc.identifier	ota:3006
dc.identifier.uri	http://hdl.handle.net/20.500.14106/3006
dc.description.abstract	Resource deposited with the Oxford Text Archive.
dc.format.medium	Digital bitstream
dc.format.mimetype	text/xml
dc.language	English
dc.language.iso	eng
dc.publisher	University of Oxford
dc.relation.ispartof	Oxford Text Archive Core Collection
dc.rights	Distributed by the University of Oxford under a Creative Commons Attribution-ShareAlike 3.0 Unported License
dc.rights.uri	http://creativecommons.org/licenses/by-sa/3.0/
dc.rights.label	PUB
dc.subject.lcsh	English drama -- Early modern and Elizabethan, 1500-1600
dc.title	The Roaring Girl or Moll Cutpurse
dc.type	Text
has.files	yes
branding	Oxford Text Archive
files.size	4295751
files.count	14
otaterms.date.range	1600-1699

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The Roaring Girl, or Moll Cutpurse
My case is alter'd
, I must work for my living.
Dramatis Personæ
SIR ALEXANDER
Wengrave
, and
NEATFOOT
his man
SIR ADAM Appleton
SIR DAVY Dapper
SIR BEAUTEOUS
Ganymede
[SIR THOMAS Long]
LORD NOLAND
Young [SEBASTIAN] Wengrave
JACK Dapper, [son to Sir Davy,] and GULL his page
GOSHAWK
GREENWIT
LAXTON
TILTYARD
[a feather-seller]
[MISTRESS TILTYARD]
OPENWORK
[a
sempster
]
[MISTRESS Rosamond OPENWORK]
[
Hippocrates
]
GALLIPOT
[an apothecary]
[MISTRESS Prudence GALLIPOT]
MOLL, the Roaring Girl
[Ralph] TRAPDOOR
[
TEARCAT
]
SIR GUY Fitzallard
MARY Fitzallard, his daughter
CURTILAX
, a sergeant, and
HANGER
, his yeoman
MINISTRI
[COACHMAN]
[PORTER]
[TAILOR]
[Gentlemen]
[CUTPURSES]
[
FELLOW
]
To the Comic Play-Readers,
Venery
and Laughter
The fashion of play-making I can properly compare to nothing so naturally as the alteration in apparel: for in the time of the great
crop-doublet
, your huge
bombasted
plays, quilted with mighty words to lean purposes, was only . . .