Jumpers / Tom Stoppard
dc.contributor | Delbecque, Nicole Departament Linguistiek Katholieke Universiteit Leuven Leuven |
dc.contributor.author | Stoppard, Tom |
dc.coverage.placeName | London |
dc.date.accessioned | 2018-07-27 |
dc.date.accessioned | 2022-08-21T16:17:54Z |
dc.date.available | 2022-08-21T16:17:54Z |
dc.date.created | 1972 |
dc.identifier | ota:0459 |
dc.identifier.uri | http://hdl.handle.net/20.500.14106/0459 |
dc.description.abstract | Forms part of the Louvain corpus of modern English drama deposited in 1983. The text does not conform to modern standards of text encoding. The text is all capitals, with words broken over line boundaries, undocumented markup characters, and numeric codes for the identities of the players. |
dc.format.extent | Text data (1 file : ca. 140 KB) |
dc.format.medium | Digital bitstream |
dc.language | English |
dc.language.iso | eng |
dc.publisher | University of Oxford |
dc.relation.ispartof | Oxford Text Archive Legacy Collection |
dc.rights | Use of this resource is restricted in some manner. Usually this means that it is available for non-commercial use only with prior permission of the depositor and on condition that this header is included in its entirety with any copy distributed. |
dc.rights.uri | https://hdl.handle.net/20.500.14106/licence-ota |
dc.rights.label | ACA |
dc.subject.lcsh | English drama -- 20th century |
dc.subject.other | Plays |
dc.title | Jumpers / Tom Stoppard |
dc.type | Text |
has.files | yes |
branding | Oxford Text Archive |
files.size | 142614 |
files.count | 1 |
otaterms.date.range | 1900-1999 |
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<< *168 TOM STOPPARD : JUMPERS . FABER & FABER , 1972 . FIRS T PERFORMANCE : 020272 . CAST : 01 GEORGE , 02 DOROTHY , 03 ARCHIE , 04 BONES , 05 CROUCH , 06 SECRETARY , 07 JUMPERS , 08 A DRUNK , 09 TV VOICE , 10 USHER , 11 ECHO , 12 SCOTT , 1 3 ARCHBISHOP CLEGTHORPE . >> $ #13 $ < THERE ARE THREE PLAYING AREAS , THE STUDY , THE BEDROOM , AND THE HALL . $ THERE IS ALSO A SCREEN , HOPEFULLY FORMING A BACKDROP TO THE WHOLE STAGE . $ FILM AND SLIDES ARE TO BE BACK-PROJECTED ON TO THIS SCREEN O N A SCALE BIG ENOUGH TO ALLOW ACTORS AND FURNITURE TO MASK T HE IMAGES WITHOUT SIGNIFICANTLY OBSCURING THEM . $ IT IS AN ESSENTIAL REQUIREMENT OF THE PLAY THAT THE BEDROOM CAN BE BLACKED OUT COMPLETELY WHILE THE ACTION CONTINUES ELS EWHERE . $ WHERE THIS CANNOT BE ACHIEVED BY LIGHTING ALONE , IT MIGHT B E AN IDEA TO PUT THE BEDROOM IN A PERMANENT GAUZE BOX : BUT RAISING AND LOWERING A GAUZE SCREEN IS NOT ENCOURAGED . $ ANOTHER POSSIBILITY , WHERE THE FACILITY EXISTS , WOULD BE T O PUT THE BEDROOM ON . . .