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Sketches among the poor

 
dc.contributor Oxford Text Archive
dc.contributor.author Gaskell, Elizabeth Cleghorn, 1810-1865
dc.date.accessioned 2018-06-14
dc.date.accessioned 2022-08-21T09:57:37Z
dc.date.available 2022-08-21T09:57:37Z
dc.date.created 1837
dc.identifier ota:3111
dc.identifier.uri http://hdl.handle.net/20.500.14106/3111
dc.description.abstract First edition published in 1837.
dc.format.medium Digital bitstream
dc.format.mimetype text/xml
dc.language English
dc.language.iso eng
dc.publisher University of Oxford
dc.relation.ispartof Oxford Text Archive Core Collection
dc.relation.replaces https://hdl.handle.net/20.500.14106/2163
dc.rights Distributed by the University of Oxford under a Creative Commons Attribution-ShareAlike 3.0 Unported License
dc.rights.uri http://creativecommons.org/licenses/by-sa/3.0/
dc.rights.label PUB
dc.subject.lcsh Poems -- Great Britain -- 19th century
dc.title Sketches among the poor
dc.type Text
has.files yes
branding Oxford Text Archive
files.size 260800
files.count 5
otaterms.date.range 1800-1899

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Sketches among the Poor
by
Elizabeth Gaskell
'Sketches among the Poor, No. I', a poem in rhyming couplets of 153 lines, was almost certainly written in the summer of 1836. It appeared in
Blackwood's Edinburgh Magazine
> the following January, sandwiched between 'The World We Live In' (an article about Peel and the constitution) and the final piece in a satirical series called 'Alcibiades the Man'. The placing is oddly appropriate since the Gaskells' poem is about the world they lived in—a world light-years from Westminster—and it is about wisdom, the unspoken philosophy of a woman, not an articulate man.
Jenny Uglow,
Elizabeth Gaskell: A Habit of Stories
> (London: Faber and Faber, 1993), p.101.
SKETCHES AMONG THE POOR, NO. I
In childhood's days, I do remember me
Of one dark house behind an old elm-tree,
By gloomy streets surrounded, where the flower
Brought from the fresher air, scarce for an hour
Retained its fragrant scent; yet men lived there,
Yea, and in happiness; the mind doth c . . .
										
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