ELECTRA OF SOPHOCLES: PRESENTED TO HER HIGHNESSE THE LADY ELIZABETH; With an EPILOGUE, Shewing the Parallell in two Poems, THE RETƲRN, and THE RESTAƲRATION.
By C. W.
At the Hague, for Sam. Brown, MDCXLIX.
TO THE MOST HIGH AND MOST VERTUOUS PRINCESSE THE LADY ELIZABETH.
THese rude and uncompos'd Airs aspire into your presence, that from your Touch they may receive Time and Laws. If you shall graciously vouchsafe to read them, they will Live and Breath. It pleased our Renowned Lady, Queen Elizabeth, to preferre the learned Authour to the choise honour of her Favourite, and to conferre with him in his Naturall language. Neither doth that Most Illustrious Name, rest on your Highnesse without a designe of Providence, since it speaks in you her [Page]Piety, and Early Bonds, and whatsoever Shee wore of greater Value then her Crown. May it please you herein to countenance the Parallell. Onely accept the Endeavours of the unworthy Translatour, and give them Admission to your Vertuous Hand, not valuing the Present, but receiving the Homage: For the Authoritie of your Judgement is so pregnant, of so Royall and Early Growth, and so hereditary, that Verses licens'd by your Approbation, like sealed Measures, are justifi'd against Inferiour censures by their mark.
Playes are the Mirrours wherein Mens actions are reflected to their own view. Which, perhaps, is the true cause, that some, privy to the Uglinesse of their own guilt, have issued out Warrants, for the breaking all those Looking-glasses; lest their deformities recoyl, and become [Page]an eye-sore unto themselves. This dim Chrystall (fully'd with Antiquitie, and a long voyage) will return upon your Highnesse some Lines and Shadows of that Pietie to your deceased Father, which seats you above the Age, and beyond your Years: Which makes you better then your Countrey, and higher then your Enemies: Which lodges you in our Eye as our Example, and in our Heart as our Treasure.
Be secure (most illustrious Princesse) you are not so much guarded from flattery, by the Acts and Vigilancy of the States, as by the Transcendencie of your own Merits. The Historie of your Name shall be an Academie, whence obsequious Rhetorick shall draw forth Encomiums to bleach the defects of unaccomplisht Queens.
MADAM, Your Vertues command: Let Your Clemencie favour the dutie of my ambition, Which is, to be
TO THE MOST EXCELLENT PRINCESSE THE LADY ELIZABETH, On my Friends Dedication of ELECTRA.
To my learned Friend on his apt choice and seasonable translation of ELECTRA in SOPHOCLES.
To his learned Friend on his ingenious choice and translation of Sophocle's Electra, Representing Allegorically these Times.
To my most intimate C. F. C. W. On his ELECTRA, Translated out of the Greek, and laid at the feet of her Highnesse the Lady ELIZABETH.
The Persons of the Enterlude.
- The Tutour and Foster.
- Orestes, the Prince.
- Electra, the Princesse Royall.
- The Quirre of Maids of Honour dwelling neare the Palace.
- Chrysotheame, the Sister of Electra.
- Clytemnestra, the unnaturall Spouse of Agamemnon, who conspired against him.
- Egist, the Paramour of Clytemnestra, and
- Conspiratour against the King.
The Signification of the References.
THe Alphabeticall letter relates to the managing of the Scene, it shew's the Postures and Motions, with the Carriage of the Action.
The Smaller Figures referres to the Interpretation of some difficult places, and vindicating them from Obscurity or Mistake.
The Larger Figures in the Head of some files of Verses, is that which contains the most Novelty. We must know, that the Ancient Quire of the Greek Tragedians in the time of Sophocles, consisted of Fifteen, seated by fives upon three Forms, or by threes upon five Forms. And in that Number were their Approaches and Returns, one speaking for the rest, being the fore party of the Quire. Musick still attended their Speeches and Dancing. Now these Stanzas prick'd out by Numbers, are most exactly answer'd by an ensuing Stanza, either immediately ensuing, or so enterwoven, that the third answers the first, and the fourth the second. Every such Stanza having 'its Counterpart, and every Member though of different Meeter, being exactly commensurate with the Member following in the same Number of the Counterpart. It is suspicious that of these Songs, the former referr'd to a Leading up of the Dance in set Paces, and the Latter to a Returning in equall Steps. Onely this kind of Dancing seems to have fall'n even in the Roman [Page]Tragedy's, though I hardly know any thing to have been more magnificent in the very flower and height of their Empire, then their Sumptuous Theaters and Amphitheaters. This long disuse hath transmitted us a very obscure notion of those rarityes in Musick wherein the Ancient Greeks seem to have excell'd. So that it may be excusable, if I am not clear enough in delivering that, of which the injury of Time hath scarce left a shadow.
A short extract of the History about the destruction of TROY.
BEcause this confident Essay hath adventur'd to go out, under the silken Banner of Her Highnesse, and being a piece which proceeded from an Authour, in the Originall, whose character it is still to have done right to vertuous Lady's; It may possibly be engag'd (though Naturally Modest) in the Attendance of some of that sex. Now it were indiscretion to think their fair hands can afford to be soyl'd with the dustie records of Time, or impertinent History, further then the Arras can instruct, or then may be understood by one who is well-vers'd in the Ward-robe. Therefore I shall take it for a needfull part of my duty here, to describe briefly the Heads of this Story, so familiarly intimated in the Poem.
The voiage to Troy happened in the MCXCIIII yeare, before the Incarnation of our Saviour, about the time that Jair judg'd Israel. Upon this Quarrell. Paris the sonne of Priam (King of Troy) sail'd over to Peloponnesus, where Menelaus reign'd; having for his Queen Helen the great beauty of her age. Paris lodg'd in the Court of Menelaus, in whose absence he carries away Helen (against the Laws of her Wedlock, and his Hospitality) over to Troy with him. Menelaus returning, demands her, and is repuls'd. Whereupon he invites his Brother Agamemnon, then King of Argos, to assist him in the recovery of [Page]her by arm's. So both the Kings with the other neighbour Princes, levying the whole strength of Greece, fell down towards Aulis an Island in Boeotia; where they entred into confederacie, not to return till either Troy were ras'd, or they perished in the enterprise. But when they should have put out, the Navie lay becalm'd, till according to the answer of the Oracle which they consulted, Agamemnon had sacrific'd his daughter Iphigenia. About xxvii years after this Jephthe sacrificed his daughter: so that some think this of Iphigenia a fiction, and that uncertain tradition huddled up both times together, and that the Ladyes right name was Iphtigenia. This warre lasted ten years, till the prime and ablest Commanders being cut off on both sides, the Victorie fell to the Greeks, whose cause was the juster; Troy being taken by the treachery of Aeneas and Antenor, & sack'd, and burnt. Yet it far'd little better with the Conquerours in their return, then it had with the conquered, most of them being weatherbeaten, and cast away. As for Agamemnon, he was slain in his own house by wicked Egist, through the complotment of Clytemnestra: which unnaturall treason, Orestes with the assistance of Electra reveng'd: Heaven, as it were, rewarding this affection of Orestes, by length of dayes, and happinesse of Government; for he lived ninetie years, & reigned seventy, match'd with Hermione.
The Tyrannicall usurpation of the Mycenian Kingdome, with the Affliction and Oppression of the Royall Children, and the Destruction of the [Page]Conspiratours, the Enthroning of Orestes, with the Deliverance of the Royall Family, make up this work.
It was written by Sophocles, who was born in the CCCCXCV yeare before the Incarnation of our Saviour, and lived XC years.
So that this Action was performed little lesse then MMM years ago; and represented in this Tragedie somewhat more then MM.
This Abridgement of that famous History, is extracted (for the generality) out of Petavius, a most exact Chronologer, though with some change and addition.
The rest will be supply'd by the Notes.
The Historicall and Morall Plot of the Tragedy.
ELECTRA OF SOPHOCLES.
Ay me, unhappy me!
He is from home, your mind you need not smother.
He promises to come, but nothing else.
Men on great enterprizes move but slow.
I'me sure in saving him I did not so.
Fear not, he's one will ne're desert his friend
No: if I should my life were at an end.
But are you sure 'gainst me this is their doom?
Most sure I am when Egist back shal come.
Now therefore would for me he'ld come away!
O wretch, what wicked thing is 't you did pray?
That he would come, if it be thus decreed.
To do you mischief? Are you mad indeed?
To rid me from among you all far hence.
What, of your present life have you no sense?
O mine a heavenly life, most wondrous sweet!
At least, it might be, if you 'ld be discreet
Teach me not my deceas'd friend to forget.
I teach you not, but to power to submit.
You flatter, with my Nature it ne're stood.
Yet to fall through rashnesse 't is not good.
Wee'll fall, if need, t' avenge our Fathers blood.
Our Father, he I know with this dispenses.
Such words are slothfull Cowards base pretences.
You'l not be rul'd then, nor with me agree?
No truly, ne're may I so senselesse be.
I'me hasting thither where my errand lyes.
Whither away? whose is this sacrifice?
My Fathers, whom my Mother sends this gift,
What him the odiousest that ever liv'd?
Him that she kill'd, your meaning's that I know.
What friend advis'd her? who would counsel so?
'T was some night-apparition as I cast.
Now Fathers holy Angels help at last!
Have y' any ground of hopes rais'd from this fright?
I'll tell you if you'l tell's what was the sight.
I know it not: onely one little glance.
Answerable to this is the Latine name bipennis, however Quintilian devises some other fetch. Simmias the Rhodian hath described the figure of that Ax, wherewith Epêus built the Trojan horse. The generation of an Hatchet, is by the concourse of two circles, contingent in the centre uf a third oequall circle: as in this figure is plain to the eye.
Take a plate of iron infinite, and describe in it a circle at adventures, which let A B C be from any point at any distance: Let the Diameter be drawn, whose extreams let A B be, the Centre D. At the point A, and distance A D, pare off F D E: Again, at the point B, and distance B D, pare off G D H, superfluous cantles of iron, the residue presents you the figure of the double headed Battel-ax. The Helve must be drawn thorough the de of the centre D, and proportion'd to the circle A B C.
This gentle stranger 'tis: Right is your aim.
Resolve you this great Lady is the same.
Phanot the Phocese. High concernment 'tis.
Orestes death in one word take it all.
Wo to me wretch, this day compleats my fall.
What is't? what is't my Friend? her cry's ne're heed.
Orestes, then and now I say, is dead.
Lost and forlorn I am: I am no more.
There were 5. more eminent Greek exercises, which are reckon'd up in the latter verse of this Distick in the Greek Epigrams by Simonides.
Why Lady, do's this Message you deject?
We on an idle errand come, I see.
No, not with you; but well with him it is.
Give eare, O Justice, and revenge the dead.
She hath given eare aright, & wel decreed.
Mock on, for your prosperity now flaunts.
You and Orestes ne're will leave these taunts.
Yes, we have left, but cannot make you leave
Well, I am going then, since that is done.
Tell on then, if you pleasure take to tell.
Poore fool! I pitie thee ev'n all the way.
What's this? rejoyce you not at what I say?
Thou knowst not where thou stand'st, nor what's thy thought.
How know I not that which mine eyes me taught?
Unhappy me! of whom did you this hear?
Of one which when he fell, himself was near.
And where is he? amazement strikes my breast.
Bout house; my mothers dear and welcome guest.
Can I the dead to life raise up again?
There's no such need: I was not sure so vain.
What other action can my strength effect?
Dare but to move as I shall you direct.
Why if 't be good, I vvill not come behind.
See, without pains nothing successe can find.
I see: and vvill contribute too my All.
Why then my will was good, but losse my wit.
Strive that your wit stand alwayes at that height.
You then instruct me but wil nothing Aid.
Why it will bring us ruine if assay'd.
I praise your wondrous Wit, but hate your fear.
When you shall thank me for it I'll give ear.
Never expect to find me in that Note.
Of that Hereafter gives the surer Vote.
Away, for thou art one wil't nothing do.
I would, but thou art one wilt nothing know.
Go tell your Mother the discourse w'have had.
No, Sister, yet I love you not so bad.
Know you to great disgrace draw me aside.
To no disgrace, but wisedom I you guide.
I follow must what you for Justice read.
When you with Judgement joyn, then you shall lead.
Pity one speaks so well, and speaks so wide.
Right said you that, to your own speech appli'd.
What seem I not with Justice to combine?
Yes but sometime Justice with Harm may Joyn.
I'll never to these lawes Alleagiance pay.
But if you do, you'l thank me for't one Day.
Yes I will do, nor will at all you dread.
Is 't true? nor will you second Counsell read?
No: for of Bads, the Worst Bad Counsell is.
All I have said you understand amisse.
Long fixt is this resolve; no sudden Motion.
What is your search? and whether your desire?
For Egist, where he dwells I long enquire.
You're right, and The Attick laws enjoyned to shew a stranger the way: as Petitus in the last Chap. And Buzyges orderd it to be put into their Commination, that those who turned strangers out of their way, should be curs'd publickly through the city, amongst them that were guilty of other hainous offences. harmlesse your directour save.
Here 's one. if of her Brother news she have.
What is it friend? I feel a chilling fear.
What is your grief? what may this language sound?
Is yours Electra's visage so renown'd?
This is the same, and in full grievous plight.
Alas! how sad and pitifull a sight!
Why Stranger, do you thus for me lament?
O Body wickedly and basely rent!
I, gentle Stranger, am the same you moan,
O sad unwedded desolation!
Why, Stranger, look you thus on me, & sigh?
Of all my sorrows I ne're knew the tithe.
How know you that from ought hath now been spoken?
In seeing you with many troubles broken.
Few of my troubles are to sight disclos'd.
And how can worse then these be once suppos'd?
Because I still with murderers converse.
Murdrers? of whom? strange grief thou dost rehearse.
My Fathers Murdrers; and am made their drudge.
What mortall doth thee to this bondage judge?
One Mother cald, but nothing Mother-like.
And by what means? Doth she thee starve or strike?
Both starvs and strikes, and all hard usage tries.
And does no Helper, no Defender rise?
None, and my One that was is in your urn.
Poore heart, I pity all along thy turn.
Know you are th' onely He hath done thus much.
For I am th'onely He your troubles touch.
You are not any way to us ally'd?
I'ld you resolve, might I in these confide.
You may; with honest Lady's you conferre,
Let go the Pot then, and the businesse heare.
Use me not, Stranger, for the gods sake so.
Obey my words and you aright shall go.
Not for all dears: rob me not of my treasure.
I can you not excuse.
Good words. Those grones no lawfull warrant shew.
No warrant, when I grone for my dead brother?
Those words do not become you, but some other.
Am I so of the deads inseriours?
Inferiour you of none: nor is this yours.
If this Orestes body be, I poyse.
Its no Orestes, but a coyn'd device,
Where then, unhappy, is his tombe indeed?
No where: For men alive no tombe do need.
What saiest thou man?
No lie I do contrive.
And does he breath?
As sure as I'me alive.
You are not he?
O dearest fuce!
Dearest I witnes bear.
O voyce art come?
No other seek to hear.
I thee embrace.
O mayst thou e're from hence!
What should I not?
With others I'ld be angry should they dare.
You like me then!
Why should I otherwise
How at my entrance are things manag'd there?
Right well: for none will know you who you are.
You then have of my death reporter been?
Know you are one of t' other world within.
And are they glad thereat? what words are giv'n?
Brother, I beg, resolve me what's this man?
Know you him not?
Nor yet imagine can.
Know you not whom you gave me in his hands?
Whom? what d' you mean?
The same it is: examine me no further.
How? Now what do they?
And why did you come out?
One cri's within, do you not hear my friends?
Oh! I am stab'd!
Courage and mend your blow.
Oh! and again!
Would Egist were so too!
Then hast.
My charge be o're these actions plac'd
Resolve me where one may the strangers live find
Within: for they've met with their Hostes kind.
And did they say for certain he was Dead?
No, (but they shew'd him too) not onely said.
And may we see this plain convincing light?
You may: your self will pity much the sight.
Much joy thou tell'st me of besides thy wont.
Encrease your joy if this for joy you count!
She is hard by you; look no further for her.
Oh! what see I?
Whom look you on with horrour?
You out so long and such A Cunning Man!
It must yours. I of that give a shrowd guesse.
Your Fathers honour you do not professe.
Go first.
No you must lead the van.
Shall I not scape you.
THE EPILOGUE: Shewing the Parallell in two Poems, THE RETƲRN, and THE REST AƲRATION, Addressed to her Highnesse, the Lady ELIZABETH. MDCXLIX.
THE RETƲRN. To Her Highnesse, the Ladie ELIZABETH.
THE REST AƲRATION. To Her said Highnesse,
Courteous Reader, These Books following are printed for Humphrey Moseley, and are to be sold at his Shop at the Prince's Armes in St. Paul's Church-yard.
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- 67. Poems, &c. with a Masque called The Triumph of Beauty, by James Shirley, Gent. in 8 o.
- 68. Divine Poems, written by Francis Quarles, in 8 o.
- 69. The Odes of Casimire, translated by Mr. George Hills of Newark, in 12 o.
- [Page]70. Steps to the Temple, Sacred Poems with the Delights of the Muses upon several occasions, by Richard Crashaw of Cambridge, in 12 o.
- 71. The Mistris, or several Copies of Love verses written by Mr. Abraham Cowley, in 8 o.
- 72. Arnalte and Lucenda, or the melancholy Knight, a Poem translated by L. Laurence, in 4 o.
- 73. The Sophister, a Comedy in 4 o. by Dr. S.
- 74. The Woman-hater, or, the Hungry Gourtier, a Comedy written by Francis Beaumont, and John Fletcher, Gent. in 4 o.
- 75. The Tragedy of Thierry King of France, and his brother Theodoret, written by Francis Beaumont, and John Fletcher, Gent. in 4 o.
- 76. The Elder Brother, a Comedy written by Fran. Beaumont, & John Fletcher, Gent. in 4 o.
- 77. The Scornfull Lady, a Comedy written by Francis Beaumont, and John Fletcher, Gent. in 4 o.
- 78. Cupids Revenge, a Tragedy written by Francis Beaumont, and John Fletcher, Gent. in 4 o.
- 79. Monsieur Thomas, a Comedy written by Francis Beaumont, and John Fletcher, Gent. in 4 o.
- 80. The two noble Kinsmen, a Comedy written by Francis Beaumont, and John Fletcher, Gent. in 4 o.
- 81. The Tragedy of Albovine King of the [Page] Lombards, written by William Davenant, in 4 o.
- 82. The Just Italian, written by VVilliam Davenant, in 4 o.
- 83. The Cruel Brother, a Tragedy written by William Davenant, in 4 o.
- 84. The Unfortunate Lovers, a Tragedy written by VVilliam Davenant, in 4 o.
- 85. Love and Honor, a Comedy written by William Davenant, in 4 o.
- 86. Madagascar, with other Poems, written by William Davenant, in 12 o.
- 87. The Countrey Captain, and the Varietie, two Comedies written by a Person of Honour, in 12 o.
- 88. The Contention for Honor and Riches, a Masque written by James Shirley, Gent. in 4 o.
- 89. The Triumph of Peace, a Masque presented by the four honourable Houses of Inns of Court before the King, and Queens Majesty at Whitehall, 1633, written by James Shirley, Gent. in 4 o.
- 90. The Dutchess of Malfy, a Tragedy written by John Webster, Gent. in 4 o.
- 91. Poems written by Mr. William Shakespear, Gent. in 8 o.
- 92. The Cid, a Tragi-Comedy, translated out of French by Joseph Rutter, Gent. in 12 o.
- [Page]93. Allarum to Poets by I. L. in 4 o.
- 94. Fragmenta Poetica, or Miscellanies of Poeticall Musings, by Nich. Murford, Gent. in 12 o.
- 95. Hymnus Tobaci Authore Raphaele Thorio, in 8 o.
- 96. Hymnus Tobaci, a Poem in Honour of Tobacco, heroically composed by Raphael Thorius, made English by Peter Hausted, Mr. of Arts Camb. newly printed in 8 o.
- 97. The Sophy, a Tragedy written by Mr. Iohn Denham Esquire.
- 98. Coopers Hill, a Poem written by Mr. Iohn Denham Esq; The second Edition in 4 o. with Additions.
- 99. Poems, with a Masque, by Thomas Carew Esquire, Gentleman of the Privy Chamber to his late Majesty, revived and inlarged with Additions. in 8 o.
- 100. Comedies and Tragedies, with other excellent Poems, by Mr. William Cartwright, late Student of Christ-Church in Oxford, and Proctor of the University. The Ayres and Songs set by Mr. Henry Laws servant to his late Majesty in his publick and private Musick, newly printed in 8 o.
- 101. Clarastolla, with other occasionall Poems, Elegies, Epigrams and Satyrs, written by R. Heath, Esq; in 12 o.
- [Page]102. Olor Iscanus, a Collection of some select Poems, and Translations, written by Mr. Henry Vaughan Silurist, newly printed in 8 o.
- 103. The Academy of Complements, wherein Ladies, Gentlewomen, Scholars, and Strangers may accommodate their Courtly practise, with Gentile Ceremonies, Complementall, Amorous, high Expressions, and Forms of speaking, or writing of Letters, most in fashion, with Additions of many witty Poems, & pleasant new Songs, newly printed.
Books newly printed this present year for Humphrey Moseley.
- 104. THe Psalms of David from the new Translation of the Bible, turned into Metre, to be sung after the old Tunes used in the Churches, by the Right Reverend Father in God, Henry King Bishop of Chichester, in 12 o.
- 105. The Life of the most Learned Father Paul, Author of the History of the Council of Trent, translated out of Italian by a person of Quality, in 8 o.
- 106. Choice Musick for three Voices, and a Thorough Base, composed by Mr. Henry, and Mr. William Lawes, brothers, and servants to [Page]his late Majesty; with divers Elegies set in Musick by severall Friends upon the death of Mr. William Lawes, in 4 o.
- 107. Artificiall Arithmetick, containing the Quintessence of the Golden Rule, the true valuation of all Annuities, also to finde the distance at one station; an Art never till now published; useful for Gunners, Seamen, and Surveyors, by Rob. Jager, Gent. in 8 o.
- 108. Cassandra, the fam'd Romance, the three first Books written originally in French, & now elegantly rendred into English by the right honorable the Lord George Digby, in 8 o.
- 109. The History of Philoxipes and Pol [...]crite, taken out of Artamene, or the Grand Cyrus; made English by an honorable Person, in 8 o.
- 110. The History of Don Fenise, a new Romance, written in Spanish by Francisco de las-Coveras, treating the Severall effects of Love, and Fortune, Englished by a Person of Honour, in 8 o.
- 111. La Stratonica, or the unfortunate Queen, a new Romance, written in Italian, and now Englished by I. B. Gent. in 4 o.
- 112. Ibrahim, or the Illustrious Bassa, an Excellent new Romance, the Whole Work in four parts, written in French by Mounsier de Scudery, and now Englished by Henry C [...] gan. Gent. in Fol.
- [Page]113. Cassandra, the fam'd Romance, the whole Work in five parts, written originally in French, and now Elegantly rendred into English by a Person of quality, in Fol.
- 114. Cleopatra, a new Romance, written in French by the Fam'd Author of Cassandra, and now Englished by a Gen. of the Inner Temple
- 115. The Wild-Goose-Chase, a Comedy written by Fran. Beaumont & I. Fletcher, Gent.
- 116. The Widow, a Comedy written by Een. Johnson, Iohn Fletcher, & Thomas Midleton.
- 117. The Soveraignty of the British Seas, written by that learned Knight Sir John Boroughes Keeper of the Records in the Tower.
Books printed this Tearm for Humphrey Moseley.
- 118. Poems and translations, the Compleat Workes of Thomas Stanley Esquire, in 8 o. 1653.
- 119. Herodian of Alexandria his Imperial History of twenty Roman Caesars and Emperors of his time, first written in Greek, now converted into an Heroick Poem by C. B. Stapleton in 4 o. 1653.
- 120. Grammatica Burlesa, or a new English Grammer, made plain and easie for Teacher and Scholar, composed by Edward Burles Mr. of Arts and School-master at East-Acton in Midlesex, in 12 o. 1653.
- [Page]121. Sions Prospect in its first view, presented in a Summary of Divine truths, consenting with the faith professed by the Church of England, confirmed from Scripture and Reason, composed by Mr. Ro. Mossom Minister.
- 122. Quaestio Quodlibetica, or a discourse whether it be lawfull to take Ʋse for Money, by R. F. Knight in 12 o. 1653.
- 123. Historical Relations of the Vnited Provinces of Flanders, written in Italian by Cardinall Bentivoglio, and now rendred into English by the Right Honorable Henry Earl of Monmouth, in Fol. 1653.
- 124. Choice Novels and Amorous Tales, written by the most refined witts of Italy, newly translated into English by a Person of Quality, in 8 o. 1653.
- 125. Nissena, an excellent new Romance, written Orignally in Italian, and now Englished by an Honorable Person, in 8 o. 1653.
- 126. The Changeling, written by Thomas Middleton and W. Rowley, Gent. in 4 o. 1653.
- 127. Paradoxes, Problems, Characters &c. by Dr. Donne D. of St. Paul's, to which is added a Book of Epigrams, written in Latin by the same Author; translated by Jasper Main D. D.
- 128. Ignatius his Conclave a Satyr written by Dr. Donne Dean of St Paules.
- 129. Essayes in Divinity by Dr. Donne D. of St. Paul's, before he entred into holy Orders.
These Books I have now in the Presse, ready to come forth.
- 130. Six new Playes,
viz.
- The BROTHERS.
- The SISTERS.
- The DOUBTFULL HEIR.
- The IMPOSTURE.
- The CARDINALL.
- The COURT SECRET.
- 131. The Sinners Teares in Meditations and Prayers, by Thomas Fettiplace of Peterhouse Cam [...]. in 12 o.
- 132. The Naturall and experimentall History of Winds written in Latine by the right Honorable Francis Lord Verulam Viscount St. Alban, translated into English by an admirer of the learned Author, in 12 o.
- 133. The Card of Courtship, or the Langrees, Sexes, and Conditions, in 12 o. 1653. guage of Love, fitted to the Humors of all De-
- 134. Renatus des Cartes's Excellent Compendium of Musick with Necessary and Judicious Animadversions Thereupon by a Person of Honor, Illustrated with divers figures. 1653.
- 135. Naturall & divine Contemplations of the Passions and facultyes of the soul of man in three books, written by Nicholas, Mosley Esq;
These Bookes I doe purpose to Print very Speedily.
- 136. THe History of the Warres of the Emperour Iustinian with the Persians, Goths, and Vandalls, written in Greek by Procopius of Caesarea, in eight books, translated into English by Sir Henry Holtcraft, Kt.
- 137. The History of the Kingdome of Naples, with a large and exact Description of the Scituation, Quality, & nature of the Country, the Manners and Conditions of the People, with the famous Antiquityes, and the worthy men that have lived therein, &c. Composed by the most Elaborate care of Sampson Lennard, Esquier.
- 138. Poemata Graeca & Latina, à Gulielmo Cartwright, è C. C. Oxon.
- 139. Le Chemin Abrege, or a Discourse for the attaining of Sciences in a short time, with the Statutes of the Academy of the Cardinall Richelieu, translated out of French.
- 140. The Secretary in Fashion, or a Compendious and refined way of Expression in all manner of Letters, composed in French by P. Sr. de la Serre augmented with instructions how to write Letters, moreover a Collection of 26 Choice moral Letters, written by the most refined wits of this age, also the Complements of the French tongue newly translated into English by a Person of Quality.