PUBLII TERENTII CARTHAGINIENSIS AFRI Poëtae lepidissimi COMOEDIAE Sex Anglo-Latinae.
In usum Ludi-discipulorum, quo feliciùs venustatem linguae Latinae ad sermonem quotidianum exercendum assequantur.
A CAROLO HOOLE A. M. L. C. Oxon.
Et Scholae Grammaticae moderatore, non ita procul à Byrsâ Regali apud Londinates.
Six COMEDIES Of that excellent Poet PUBLIUS TERENTIUS an African of Carthage in English and Latine.
For the use of young Scholars, that they may the more readily attain the purity of the Latine tongue for common discourse.
By CHARLES HOOLE, near Lothbury-Garden, London.
The Translator's Advertisement to the READER.
I Have at last (by God's blessing) effected, which I heretofore had promised that Worshipfull Company of Stationers, the Translation of Terence. Touching the usefulness of which Author for the gaining the Latine tongue, I need say no more, then that Cicero made it his Master; and the generality of Scholars are of Barlandus s opinion, that that Language will never be lost whilest Terence may be had. I will not insist here upon the Benefit of Translations, having said enough concerning it in my Preface to Cato. Forthe Method I have used in Translating this Book, I have Presidents in French and High-Dutch. Wherein I differ from Mr. Bernard, and what I have omitted, may easily be seen, and the reasons thereof guessed.
But the main of what I would have the Readers take notice, is this: the Latine Copie which is here published is that of Cardinal Bembus; which that famous Antiquary Sir Henry Wotton had bought at Venice, [Page] and bestowed upon a young Gentleman, a friend or kinsman's son of his (as it seems) in or about London. The Manu-script written in Vellum is dated A. D. 1491. which I prize the more, because I finde it clears many the most difficult places, about which Criticks too mistakingly contend, and many the most learned of them ever and anon make their appeal ad codicem Bembianum.
I freely offer what I have done especially for the Benefit of young Scholars, (amongst whom, not withstanding my weightier charge elsewhere, I am again occasionally conversant) to the kinde acceptation of any that shall please to use it; accounting it a Blessing from God, if by this or any other my labour I may forward Learning, which hath ever proved a most necessary Mean to the settlement and propagation of Religion and Virtue; especially where Children are instituted in such Principles as may correct the vitiosities of this and the like Heathenish authors.
ANDRIA.
1. A Comedie touching one Chrysis, a Woman of Andro, (which is an Island in the Mediteranean Sea) made by Publius Terentius an African of Carthage.
2. Acted at the Megalesian Games (exhibited by the Romans in Honour of their [...], or great Gods, but especially of the Goddess Cybele, which was called the Mother of the Gods) which began (as Goreanus observeth out of Tully) about the beginning of September, and lasted nine days, or (as some others write) on the fourth of April, and continued six days.
When M. Fulvius and M. Glabrio were Aediles, or Officers, whose charge being to oversee the Temples and private Houses which belonged to the Citie of Rome, and to make provision for Stage-plays; they bought this Comedie, and took Order to have it publikely acted. They were called Curules, because they were chosen out of the Senators, and permitted to ride in (sellâ curuli) a Chair of State.
3. The chief Players, or Actors of it, were
- 1. L. Ambivius Turpio,
- 2. and L. Attilius Prenestinus.
4. Flaccus the Son of Claudius was the Musitian or Song-man, that set or appointed the tunes to be played on Shaumes or Hoboyes, or the like Pipes, which had an even number of holes in them; And first with them that made a base sound, and were held on the right side of the mouth, when serious matters were acted; and then with such as made a shriller noise, and were held on the left side of the mouth, when jesling, and merry conceits were used.
5. And the Comedie is altogether a Greek one, translated out of that excellent Poet Menander, and containeth in it nothing of any Romane business, but what was done at Athens; and therefore i [...]. was acted in Mantles or Cloaks after the Greek fashion.
6. It was published when M. Marcellus, and Cajus Sulpitius were Consuls of Rome.
7. In the Year
- Since Rome was built, 587.
- Before Christ was born, 162.
1. ANDRIA
Publii Terentii
Carthaginiensis Afri.
2. Acta
Ludis Megalensibus;
- M. Fulvio &
- M. Glabrione
aedilibus curulibus,
3. Egerunt
- 1. L. Ambivius Turpio &
- 2. L. Attilius Praenestinus.
4. Modos fecit
Flaccus Claudii filius,
tibiis paribus; dextris & sinistris,
5. Et est tota Graeca.
6. Edita
- M. Marcello &
- C. Sulpitio
Coss.
7. Anno Ab urbe conditâ DLXXXVII.
Ante Christum natum CLXII.
A Brief Argument of Caius Sulpitius Apollinaris, (who was Tutor to the Emperour Pertinax) on Terence's Andria.
C. Sulpitii Apollinaris Periocha in Terentii Andriam.
The Speakers in this Comedy.
- Simo, An Old Man.
- Sosia, A Freed-man.
- Davus, A Man-servant.
- Mysis, A Servant maid.
- Pamphilus, A Young-man.
- Charinus, A Young-man.
- Byrrhia, A man-servant.
- Lesbia, A Midwife.
- Glycerie, A Whore.
- Chremes, An Old-man.
- Crito, A Stranger.
- Dromo, A Servant that whipt others.
Fabulae Interlocutores.
- Simo, Senex
- Sosia, Libertus.
- Davus, Servus.
- Mysis, Ancilla.
- Pamphilus, Adolescens.
- Charinus, Adolescens.
- Byrrhia, Servus.
- Lesbia, Obstetrix.
- Glycerium, Meretrix.
- Chremes. Senex.
- Crito, Hospes.
- Dromo, Servus loratius.
The Prologue.
Prologus.
The First Scene of the First Act.
Actûs Primi Scena Prima.
Act. 1. Scene 2.
Actus I. Scen. II.
Act I. Scen. III.
Act. I. Scen. III.
Act I. Scene IV.
Act. I. Scen. IV.
Act. I. Scene V.
Act. I. Scen. V.
Act. II. Scene I.
Act. II. Scen. I.
Act II. Scen. II.
Actus II. Scen II.
Act II. Scen. III.
Actus II. Scen. III.
Act. II. Scene 4.
Act. II. Scen. 4.
Act. II. Scene 5.
Act. II. Scen. 5.
Act. II. Scene 6.
Act. II. Scene 6.
Act III. Scen. 1.
Act. III. Scen. 1.
Act III. Scen. 2.
Actus 3. Scen. 2.
Act. III. Scene 3.
Actus III. Scen. 3.
Act. III. Scene 4.
Act. III. Scen. 4.
Act III. Scene 5.
Act. III. Scen. 5.
Act IV. Scen. 1.
Actus IV. Scen. 1.
Act IV. Scen. 2.
Act. IV. Scene 2.
Act IV. Scen. 3.
Actus IV. Scen. 3.
Act. IV. Scen. 4.
Act. IV. Scena 4.
Actus IV. Scen. 5.
Act. IV. Scena 5.
Act IV. Scene 6.
Actus IV. Scen. 6.
Act. V. Scene 1.
Act. V. Scena 1.
Act. V. Scene 2.
Act. V. Scen. 2.
Act V. Scen. 3.
Actus V. Scen. 3.
Act V. Scen. 4.
Actus V. Scen. 4.
Act V. Scene 5.
Act. V. Scen. V.
Act V. Scen. 6.
Act. V. Scen. 6.
EUNUCHUS A COMEDIE Of Publius Terentius An African of Carthage.
Acted At the Megalesian games, When Lucius Posthumius Albinus And Lucius Cornelius Merula were Aediles Curules. Lucius Ambivius Turpio and Lucius Attilius Prenestinus acted it.
Flaccus the Son of Claudius tuned it with two Pipes held on the right side of the mouth. It is a Greek Comedie of Menanders, Acted the second time.
Published when Marcus Valerius Messala, and Cneius Fannius Strabo were Consuls.
In the Year Since the City Rome was built, DLXXXXIII. Before Christ was born, CLIIII.
EUNUCHUS PUBLII TERENTII Carthaginiensis Afri.
Acta Ludis Megalensibus, L. Posthumio Albino & L. Cornelio Merula Aed libus Curulibus. Egerunt L. Ambivius Turpio & L. Attilius Praenestinus.
Mod [...]s fecit Flaccus Claudii Filius, tibiis duabus dextris.
Graeca est Menandri. Acta II.
Edita M. Valerio Messala & Cn. Fann [...]o Strabone Consulibus.
Anno Ab Urbe conditâ, DLXXXXIII. Ante Christum natum, CLIIII.
The Actors or Speakers in this Comedy.
- Antipho, A Young-man.
- Chaerea, A Young-man.
- Chremes, A Country Young-man.
- Dorias. A Maid servant.
- Dorus, An Eunuch.
- Gnatho, A Parasite.
- Laches, An Old-man.
- Parmeno, A Servant.
- Phaedria, A Young-man.
- Pythias, A Maid-servant.
- Sanga, A Scullion.
- Sophrona, A Nnrse.
- Thais, A Whore.
- Thraso, A Soldier.
Fabulae interlocutores.
- Antipho, adolescens.
- Chaerea, adolescens.
- Chremes, adolescens rusticus.
- Dorias, ancilla.
- Dorus, Eunuchus.
- Gnatho, Parasitus.
- Laches, senex.
- Parmeno, servus.
- Phaedria, adolescens.
- Pythias, ancilla.
- Sanga, lixa.
- Sophrona, nutrix.
- Thais, meretrix.
- Thraso, miles.
The Argument, or Plot of Eunuchus, by C. Sulpitius Apollinaris.
Eunuchi Argumentum. C. Sulpitio Apollonari authore.
The Prologue.
Prologus.
Act. I. Scene 1.
Act. I. Scen. 1.
Act. I. Scene 2.
Actus I. Scen. 2.
Act II. Scene 1.
Act. II. Scene 1.
Act II. Scen. 2.
Actus II. Scen. 2.
Act II. Scen. 3.
Act. II. Scen. 3.
Act III. Scen. 1.
Actus III. Scen. 1.
Act III. Scen. 2.
Act. III. Scen. 2.
Act. III. Scene 3.
Actus III. Scen. 3.
Act. IV. Scene 1.
Act. IV. Scen. 1.
Act IV. Scene 2.
Actus IV. Scen. 2.
Act IV. Scen. 3.
Actus IV. Scen. 3.
Act IV. Scene 4.
Actus IV. Scen. 4.
Act IV. Scene 5.
Act. IV. Scena 5.
Act IV. Scen. 6.
Actus IV. Scen. 6.
Act 4. Scene 7.
Act IV. Scen. 7.
Act V. Scene 1.
Act. V. Scen. 1.
Actus V. Scen. 2.
Act. V. Scen. 2.
Act V. Scene 3.
Act. V. Scene 3.
Act V. Scene 4.
Actus V. Scen. 4.
Act V. Scene 5.
Act. V. Scen. 5.
Act V. Scen. 6.
Actus V. Scen. 6.
Act V. Scene 7.
Actus V. Scen. 7.
Act. V. Scene 8.
Act. V. Scena 8.
Act V. Scen. 9.
Act. V. Scena 9.
HEAUTONTIMORUMENOS A COMEDIE, Of Publius Terentius, An African of Carthage:
Acted At the Megalesian Games when Lucius Cornelius Lentulus And Lucius Valerius Flaccus were Aediles Curules.
Lucius Ambivius Turpio and Lucius Attilius Praenestinus acted it.
Flaccus the Son of Claudius set the Tune.
It is a Greek Comedie of Menanders; It was acted first with Pipes that had an odd number of holes, and afterwards with two that were held on the right side of the mouth.
It was acted three times;
Published when Marcus Juventius and Marcus Sempronius were Consuls.
In the Year, Since the City Rome was built, 591. Before the birth of Christ, 161.
HEAUTONTIMORUMENOS PUBLII TERENTII Carthaginensis Afri.
Acta Ludis Megalensibus, L. Cornelio Lentulo & L. Valerio Flacco Aedilibus Curulibus.
Egerunt L. Ambivius Turpio & L. Attilius Praenestinus.
Modos fecit Flaccus Claudii.
Graeca est Menandri.
Acta primùm tibiis imparibus, deinde duabus dextris.
Acta III. Edita M. Juventio & M. Sempronio consulibus.
Anno Ab urbe condita, DXCI. Ante Christum natum, CLXI.
The Speakers, or Actors in this Comedy.
- Antiphila, A Whore.
- Bacchis, A Whore.
- Chremes, An Old-man.
- Clinia, A Young man.
- Clitipho, A Young-man.
- Dromo, A Servant.
- Menedemus, An Old-man.
- Nutrix, A Nurse.
- Phrygia, A Maid-servant.
- Sostrata, A Matron.
- Syrus, A Servant.
Fabulae Interlocutores.
- Antiphila, Meretrix.
- Bacchis, Meretrix.
- Chremes, Senex.
- Clinia, Adolescens.
- Clitipho, Adolescens.
- Dromo, Servus.
- Menedemus, Senex.
- Nutrix.
- Phrygia, Ancilla.
- Sostrata, Matrona.
- Syrus, Servus.
The Argument or Plot of Heautontimorumenos, By Cajus Sulpitius Apollinaris.
Heautontimorumeni Argumentum, C. Sulpitio Apollinari Authore.
The Prologue.
Prologus.
Act. I. Scene 1.
Act. I. Scen. 1.
Act I. Scen. 2.
Actus I. Scen. 2.
Act II. Scene 1.
Actus II. Scen. 1.
Act II. Scene 2.
Actus II. Scen. 2.
Act II. Scene 3.
Act. II. Scen. 3.
Act II. Scene 4.
Act. II. Scen. 4.
Act. III. Scen. 1.
Actus III. Scen. 1.
Act III. Scene 2.
Actus III. Scen. 2.
Act III. Scen. 3.
Act. III. Scen. 3.
Act IV. Scene 1.
Act. IV. Scen. 1.
Act IV. Scene 2.
Actus IV. Scen. 2.
Act IV. Scene 3.
Actus IV. Scen. 3.
Act. IV. Scen. 4.
Act. IV. Scen. 4.
ADELPHI
Publii Terentii Carthageniensis Afri
Acta Ludis Funebribus Lucii Aemilii Pauli;
Q. Fabio Maximo, & P. Cornelio Africano Aedilibus Curulibus.
Quos fecere L. Attilius Praenestinus & Minutius Prothimus.
Modos fecit Flaccus Claudii Tibiis Sarranis.
Graeca est Menandri; Edita L. Anicio (Gallo) Marco Cornelio (Cethego) Consulibus.
Anno Ab Urbe condita D XC V. Ante Christum na [...]um C LX VIII.
ADELPHI
A Comedy of Publius Terentius an African of Carthage.
Acted At the Funeral solemnities of Lucius Aemilius Paulus;
Q. Fabius Maximus and Publius Cornelius Africanus Being Aediles Curules.
Which Lucius Praenestinus and Minutius Prothimus set out.
Flaceus the Son of Claudius tuned it On Pipes that had even holes, such as the Sarrans or Tyrians used.
It is a Greek Comedie of Menanders, published When Lucius Anicius (Gallus) and Marcus Cornelius ( [...]ethegus) were Consuls.
In the Year Since the citie Rome was built DXCV. Before Christ was born C LX VIII.
The Argument or Plot of Adelphi, by Caeius Sulpicius Apollinaris.
Adelphorum argumentum; C. Sulpicio Apollinari authore.
The Actors or Speakers in this Comedie.
- Aeschinus, A Young-man.
- Cantha [...]a, A Nurse.
- Ctesipho, A Young-man.
- Dromo, A Servant.
- Demea, A Old-man.
- Geta, A Servant.
- Hegio, An Old-man.
- Mitio, An Old-man.
- Pamphila, A Daughter-in-law.
- Sannio, A Bawd.
- S [...]strata, A Matr [...]n.
- Sy [...]us, A Servant.
Fabulae Interlocutores.
- Aeschinus, Adolescens.
- Canthara, N [...]trix.
- Ctesipho, Adolescens.
- Dromo, Servus.
- Demea, Senex.
- Geta, Servus.
- Hegio, Senex.
- Mitio, Senex.
- Pamphila, Nurus.
- Sannio, Leno.
- Sostrata, Matrona.
- Syrus, Servus.
The Prologue.
Prologus.
Act. I. Scen. I.
Act. I. Scen. I.
Act. I. Scen. II.
Act. I. Scen. II.
Act. II. Scen. I.
Act. 2. Scen. 1.
Act. II. Scen. II.
Act. II. Scen. II.
Act. II. Scen. III.
Act. II. Scen. III.
Act. II. Scen. IV.
Act. II. Scen. IV.
Act. III. Scen. I.
Act. III. Scen. I.
Act. III. Scen. II.
Act. III. Scen. II.
Act. III. Scen. III.
Act. III. Scen. III.
Act. III. Scen. IV.
Act. III. Scen. IV.
Act. III. Scen. V.
Act. III. Scen. V.
Act. IV. Scen. I.
Act. IV. Scen. I.
Act. IV. Scen. II.
Act. IV. Scen. II.
Act. IV. Scen. III.
Act. IV. Scen. III.
Act. IV. Scen. IV.
Act. IV. Scen. IV.
Act. IV. Scen. V.
Act. IV. Scen. V.
Act. IV. Scen. VI.
Act. IV. Scen. VI.
Act. IV. Scen. VII.
Act. IV. Scen. VII.
Act. V. Scen. I.
Act. V. Scen. I.
Act. V. Scen. II.
Act. V. Scen. II.
Act. V. Scen. III.
Act. V. Scen. III.
Act. V. Scen. III.
Act. V. Scen. III.
Act. V. Scen. V.
Act. V. Scen. V.
Act. V. Scen. VI.
Act. V. Scen. VI.
Act. V. Scen. VII.
Act. V. Scen. VII.
Act. V. Scen. VIII.
Act. V. Scen. VIII.
Act. V. Scen. IX.
Act. V. Scen. IX.
HECYRA A Comedy of Publius Terentius an African of Carthage.
Acted At the Roman showes in the honour of Ceres, when Sextus Julius Caesar, and Cneius Cornelius Dolabella were Aediles Curules.
It was not all quite Acted.
But Flaccus the son of Claudius played on pipes that had even holes.
When Cneius Octavius, and Titus Manlius were Consuls, it was brought in again, at a Funeral Show; it did not please:
It was Acted again the third time,
When Quintus Fulvius, and Lucius Marcus, were Aediles Curules.
Lucius Ambivius Turpio Acted it.
It took.
The Greek Comedie is Apollodorus' s.
Acted in the year
- since Rome was built 588.
- before Christ was born 163.
Acted again, in the year since Rome was built 589.
HECYRA Publii Terentii Carthaginiensis A [...]i,
Acta Ludis Romanis, Sexto Iulio Caesare; & Cneio Cornelio Dolabella, Aedilibus Curulibus:
Non est Acta tota: Modos autem fecit [...]lacous Claudi tibiis parilibus.
Cneio Octavio, & Tito Manlio Consulibus, relata est iterum, Ludis funebribus; non est placita.
Relata est tertiò,
Quinto Fulvio, & Lucio Marco, Aedilibus Curulibus.
Egit
Lucius Ambivius Turpio.
Placuit.
Graeca est Apollodori.
- Anno ab urbe condita DLXXXVIII.
- Ante Christum natum CLXIII.
Iterata A. V. DLXXXIX.
The Actors or Speakers in this Comedie.
- Bacchis, A Whore.
- Laches, An Old-man.
- Myrrhina, A Married Woman.
- Pamphilus, A Young-man.
- Parmeno, A Servant.
- Phidippus, An Old-man.
- Philotis, A Whore.
- Sosia, A Servant.
- Sostrata, A Married Woman.
- Syra, An Old-woman.
Fabulae Interlocutores.
- Bacchis, Meretrix.
- Laches, Senex.
- Myrrhina, Mulier.
- Pamphilus, Adolescens.
- Parmeno, Servus.
- Phidippus, Senex.
- Philotis, Meretrix.
- Sosia, Servus.
- Sostrata, Mulier.
- Syra, Anus.
The Argument or Plot of Hecyra, by Caius Sulpicius Apollinaris.
Hecyrae Argumentum, Q. Sulpitio Appollinari Authore.
The Prologue.
Prologus.
Act. I. Scen. I.
Act. I. Scen. I.
Act. I. S [...]en. II.
Act. I. Scen. II.
Act. II. Scen. I.
Act. II. Scen. I.
Act II. Scen. II.
Act. II. Scen. II.
Act. II. Sc [...]n. III.
Act. II. Scen. III.
Act. III. Scen. I.
Act. III. Scen. I.
Act. III. Scen. II.
Act. III. Scen. II.
Act. III. Scen. III.
Act. III. Scen. III.
Act. III. Scen. IV.
Act. III. Scen. IV.
Act. III. Scen. V.
Act. III. Scen. V.
Act. IV. Scen. I.
Act. IV. Scen. I.
Act. IV. Scen. II.
Act. IV. Scen. II.
Act. IV. Scen. III.
Act. IV. Scen. III.
Act. IV. Scen. IV.
Act. IV. Scen. IV.
Act. V. Scen. I.
Act. V. Scen. I.
Act. V. Scen. II.
Act. V. Scen. II.
Act. V. Scen. III.
Act. V. Scen. III.
Act. V. Scen. IIII.
Act. V. Scen. IIII.
PHORMIO, A Comedie of Publius Terentius an African of Carthage.
Acted
At the Roman shows, when Lucius Posthumius Albinus and Lucius Cornelius Merula were Aediles Curul [...]s:
Lucius Ambivius Turpio and Lucius Attilius Praenestinut
Acted it.
Flaccus the son of Claudius played on Pipes that had odd holes:
It is a whole Greek Comedie of Apollodorus's called Epidicazomenos.
It was acted four times,
When Cn [...]ius Fannius Strabo, and Marcus Valerius Messala were Consuls.
In the Year
- Since Rome was built 593.
- Before the birth of Christ 159.
PHORMIO Publii Terentii Carthaginiensis Afri,
Acta
Ludis Romanis, L. Posthumi [...] Albino▪ & L. Cornelio Meruld [...]dilibus Curulibus:
Egerunt
L. Ambivius Turpi [...], & L. Attilius Praenestinus.
Modos fecit Flaccus Claudii, Tibiis imparibus.
T [...]ta Graeca Apollodori Epidicazomenos.
Acta quater,
[...]n. Fannio Strab [...]ne, & M. Valerio Messala Consulibus.
- Anno ab Urbe condita DXCIII.
- Ante Christum [...]atum CLIX.
The Actors or Speakers in this Comedie.
- Antipho, A Young-man.
- Chremes, An Old-man.
- Cratinus, An Advocate.
- Crito, An Advocate.
- Davus, A Servant.
- Demipho, An Old-man.
- Dorio, A Bawd.
- Geta, A Servant.
- Hegio, An Advocate.
- Nausistrata, A Matron.
- Phaedria, A Young-man.
- Phormio, A Parasite.
- Sophrona, A Nurse.
Fabula Interlocutores.
- Antipho, Adolescens.
- Chremes, Senex.
- Cratinus, Advocatus.
- Crito, Advocatus.
- Davus, Servus.
- Demipho, Senex.
- Dorio, Leno.
- Geta, Servus.
- Hegio, Advocatus.
- Nausistrata, Matron [...].
- Phaedria, Adolescens.
- Phormio, Parasitus.
- Sophrona, Nutrix.
The Argument or Plot of Phormio, by Caius Sulpicius Apollinaris.
Phormionis Argumentum, C. Sulpitio Apollinari Authore.
The Prologue.
Prologus.
Act. I. Scen. I.
Act. I. Scen. I.
Act. I. Scen. II.
Act. I. Scen. II.
Act. I. Scen. III.
Act. I. Scen. III.
Act. I. Scen. IV.
Act. I. Scen. IV.
Act. II. Scen. I.
Act. II. Scen. I.
Act. II. Scen. II.
Act. II. Scen. II.
Act. II. Scen. III.
Act. II. Scen. III.
Act. II. Scen. IV.
Act. II. Scen. IV.
Act. III. Scen. I.
Act. III. Scen. I.
Act. III. Scen. II.
Act. III. Scen. II.
Act. III. Scen. III.
Act. III. Scen. III.
Act. IV. Scen. I.
Act. IV. Scen. I.
Act. IV. Scen. II.
Act. IV. Scen. II.
Act. IV. Scen. III.
Act. IV. Scen. III.
Act. IV. Scen. IV.
Act. IV. Scen. IV.
Act. IIII. Scen. V.
Act. IV. Scen. V.
Act. V. Scen. I.
Act. V. Scen. I.
Act. V. Scen. II.
Act. V. Scen. II.
Act. V. Scen. III.
Act. V. Scen. III.
Act. V. Scen. IV.
Act. V. Scen. IV.
Act. V. Scen. V.
Act. V. Scen. V.
Act. V. Scen. VI.
Act. V. Scen. VI.
Act. V. Scen. VII.
Act. V. Scen. VII.
Act. V. Scen. VIII.
Not unto us, O LORD.
Act. V. Scen. VIII.
Non nobis, DOMINE.