King Richard II. The first alteration of this play was by Tate, intitled, " The Sicilian Usurper." It was prohibited from being performed, on which account it was published by the author in 16 [...]1, with a preface, in which he protests against such prohibition. In 1720, an alteration of it was published by Theobald. It was performed at the Lincoln's. Inn-Field's Theatre, with tolerable success.
THE HISTORY OF King RICHARD The SECOND Acted at the THEATRE ROYAL, Under the Name of the Sicilian Usurper.
With a Prefatory Epistle in Vindication of the AUTHOR.
Occasion'd by the PROHIBITION of this PLAY on the Stage.
By N. TATE.
LONDON, Printed for Richard Tonson, and Iacob Tonson, at Grays-Inn Gate, and at the Judges-Head in Chancery-Lane near Fleet-street, 1681
TO My Esteemed FRIEND George Raynsford, Esq
I Wou'd not have you surpriz'd with this Address, though I gave you no warning of it. The Buisiness of this Epistle is more Vindication than Complement; and when we are to tell our Grievances 'tis most natural to betake our selves to a Friend. 'Twas thought perhaps that this unfortunate Off-spring having been stifled on the Stage, shou'd have been buried in Oblivion; and so it might have happened had it drawn its Being from me Alone, but it still retains the immortal Spirit of its first-Father, and will survive in Print, though forbid to tread the Stage. They that have not seen it Acted, by its being silenc't, must suspect me to have Compil'd a Disloyal or Reflecting Play. But how far distant this was from my Design and Conduct in the Story will appear to him that reads with half an Eye. To form any Resemblance between the Times here written of, and the Present, had been unpardonable Presumption in Me. If the Prohibiters conceive any such Notion I am not accountable for That. I fell upon the new-modelling of this Tragedy, (as I had just before done on the History of King Lear) charm'd with the many Beauties I discover'd in it, which I knew wou'd become the Stage; with as little design of Satyr on present Transactions, as Shakespear himself that wrote this story before this Age began. I am not ignorant of the posture of Affairs in King Richard the Second's Reign, how dissolute then the Age, and how corrupt the Court; a Season that beheld Ignorance and Infamy preferr'd to Office and Pow'r, exercis'd in Oppressing, Learning and Merit; but why a History of those Times shou'd be supprest as a Libel upon Ours, is past my [Page] Vnderstanding. 'Tis sure the worst Complement that ever was made to a Prince.
Our Shakespear in this Tragedy, bated none of his Characters an Ace of the Chronicle: be took care to shew 'em no worse Men than They were, but represents them never a jot better. His Duke of York after all his buisy pretended Loyalty, is found false to his Kinsman and Sovereign, and joyn'd with the Conspirators. His King Richard Himself is painted in the worst Colours of History. Dissolute, Vnadviseable, devoted to Ease and Luxury. You find old Gaunt speaking of him in this Language
without the least palliating of his Miscarriages, which I have done in the new Draft, with such words as These.
His Reply in Shakespear to the blunt honest Adviser runs thus.
On the contrary (though I have made him express some Resentment) yet he is neither enrag'd with the good Advice, nor deaf to it. He answers Thus—
[Page]I have every where given him the Language of an Active, Prudent Prince. Preferring the Good of his Subjects to his own private Pleasure. On his Irish Expedition, you find him thus bespeak his Queen—
Nor cou'd it suffice me to make him speak like a King (who as Mr. Rhymer says in his Tragedies of the last Age considered, are always in Poëtry presum'd Heroes) but to Act so too, viz. with Resolution and Justice. Resolute enough our Shakespear (Copying the History) has made him, for concerning his seizing old Gaunt's Revennues, he tells the wise Diswaders,
But where was the Iustice of this Action? This Passage I confess was so material a Part of the Chronicle (being the very Basis of Bullingbrook's Vsurpation) that I cou'd not in this new Model so far transgress Truth as to make no mention of it; yet for the honour of my Heroe I suppose the foresaid Revennues to be Borrow'd onely for the present Exigence, not Extorted.
My Design was to engage the pitty of the Audience for him in his distresses, which I cou'd never have compass'd had I not before shewn him a Wise, Active and Iust Prince. Detracting Language (if any where) had been excusable in the Mouths of the Conspirators: part of whose Dialogue runs thus in Shakespear;
with much more villifying Talk; but I wou'd not allow even Traytors and Conspirators thus to bespatter the Person whom I design'd to place in the Love and Compassion of the Audience. Ev'n this very Scene (as I have manag'd it) though it shew the Confederates to be Villains, yet it flings no Aspersion on my Prince.
Further, to Vindicate ev'n his Magnanimity in Regard of his Resigning the Crown, I have on purpose inserted an intirely new Scene between him and his Queen, wherein his Conduct is sufficiently excus'd by the Malignancy of his Fortune, which argues indeed Extremity of Distress, but Nothing of Weakness.
After this account it will be askt why this Play shou'd be supprest, first in its own Name, and after in Disguise? All that I can answer to this, is, That it was Silenc'd on the Third Day. I confess, I expected it wou'd have found Protection from whence it receiv'd Prohibition; and so questionless it wou'd, cou'd I have obtain'd my Petition to have it perus'd and dealt with according as the Contents Deserv'd, but a positive Doom of Suppression without Examination was all that I cou'd procure.
The Arbitrary Courtiers of the Reign here written, scarcely did more Violence to the Subjects of their Time, then I have done to Truth, in disguising their foul Practices. Take ev'n the Richard of Shakespear and History, you will find him Dissolute, Careless, and Vnadvisable: peruse my Picture of him and you will say, as Aeneas did of Hector, (though the Figure there was alter'd for the Worse and here for the Better) Quantum mutatus ab illo! And likewise for his chief Ministers of State, I have laid Vertues to their Charge of which they were not Guilty. Every Scene is full of Respect to Majesty and the dignity of Courts, not one alter'd Page but what breaths Loyalty, yet had this Play the hard fortune to receive its Prohibition from Court.
For the two days in which it was Acted, the Change of the Scene, Names of Persons, &c. was a great Disadvantage: many things were by this means render'd obscure and incoherent that in their native Dress had appear'd not only proper but gracefull. I call'd my Persons Sicilians but might as well have made 'em Inhabitants [Page] of the Isle of Pines, or, World in the Moon, for whom an Audience are like to have small Concern. Yet I took care from the Beginning to adorn my Prince with such heroick Vertues, as afterwards made his distrest Scenes of force to draw Tears from the Spectators; which, how much more touching they would have been had the Scene been laid at Home, let the Reader judge. The additional Comedy I judg'd necessary to help off the heaviness of the Tale, which Design, Sir, you will not only Pardon, but Approve. I have heard you commend this Method in Stage writing, though less agreeable to stricktness of Rule; and I find your Choice confirm'd by our Laureat's last Piece, who confesses himself to have broken a Rule for the Pleasure of Variety. Epst. Ded. to the Span. Fryar. The Audience (says he) are grown weary of melancholly Scenes, and I dare prophesie that few Tragedies (except those in Verse) shall succeed in this Age if they are not lightned with a course of Mirth.
And now, Sir, I fear I have transgrest too far on your patience. Distress was always Talkative: be pleas'd to call to Mind your beloved Virgil's Nightingall when rob'd of her young.
This Simile you know, Sir, is occasion'd by Orpheus his lamenting the Loss of Euridice, which the Mythologists expound the Fruit of his Labours. You find Virgil himself elsewhere condoling his Oppression by Arrius. S [...]ch are the Complaints of our Spencer defrauded by Cecill. With these, the melancholly Cowley joyns his Note; and, as Mr. Flatman says, 'tis the Language of the whole Tribe.
Poetry and Learning, ev'n in Petronius his time, was a barren Province, when Villany of any sort was a thriving Trade.
[Page] Or to go a step higher in Antiquity—
Aristotle himself confesses Poetry a better School of Vertue than Philosophy. Our own Sir Philip Sidney's learn'd Defence of it, is Demonstration what rewards are due, and our late incomparable Author of Hudibras, is no less Demonstration what returns are made to the best Masters of it. Not Greece or Rome can boast a Genius like His; yet after all, his Poverty was a greater Satyr on the Age than his Writings.
Once more, Sir, I beg your Pardon for digressing, and dismiss you to the following Poem, in which you will find some Master Touches of our Shakespear, that will Vie with the best Roman Poets, that have so deservedly your Veneration. If it yield you any Diversion I have my Desire, who covet all Opportunities of shewing my self gratefull for your Friendship to me, which I am proud of, and amongst the many whom your ingenious and obliging Temper had devoted to you, there is none that more prizes your Conversation, than
PROLOGUE.
SONG for the third ACT.
SONG For the Prison SCENE in the last ACT.
The Persons Names, together with those under which the Play was Acted.
- KIng Richard, Oswald.
- Gaunt, Alcidore.
- York, Cleon.
- Bullingbrook, Vortiger.
- Northumberland. [...]rmogenes.
- Piercie.
- Ross.
- Willoughby.
- Carlile.
- Aumarl.
- Exton.
- Queen, Aribell.
- Dutchess of York.
- Ladies, Gardiners, Souldiers, Messengers, Guards, Attendants.
Books newly Printed for R. Tonson and J. Tonson.
The Spanish Fryer, or the Double Discovery. Written by Mr. Dryden.
Lucius Iunius Brutus, Father of his Country. A Tragedy, written by Mr. Lee.
The Art of making Love, or Rules for the Conduct of Ladies and Gallants in their Amours, Price of each 1 s.
THE HISTORY OF King Richard the II d.
ACT I.
SCENE the Second.
Save ye Sister—very hot! oh! hot weather and hot work: come Brother, the Lists are ready; the Fight will be worth the while: besides your concern there is somewhat more than ordinary. I' faith now I cou'd be content to have Harry scape; but for all that I wou'd have the Traytor die.
What wou'd our Sister?
Revenge, and speedy for my Glosters death.
Why there 'tis—Revenge, ho! a fine morsel for a Lady fasting, Gloster was my Brother, true—but Gloster was a Traytor and that's true too—I hate a Traytor more than I love a Brother.
A Traytor York?
'Tis somewhat a course name for a Kinsman, but yet to my thinking, to raise an Army, execute Subjects, threaten the King himself, and reduce him to answer particulars, has a very strong smatch with it—go too, you are in fault, your complaints are guilty; your very Tears are Treason. No remedy but Patience.
SCENE the Third.
ACT II.
NOW Brother, what cheer?
Why well, 'tis with me as old Gaunt cou'd wish.
What, Harry sticks with you still; well I hear he's safe in France and very busie.
My Blood were never Idle.
I fear too busie; come, he's a parlous Boy, I smell a confed'racy betwixt him and his Companions here, Mischief will come on't, cut him off I say; Let him be Kites-meat—I would hang a Son, to kill a Traytor.
Go sleep good York and wake with better thoughts.
Heav'n grant we sleep not all 'till Alarums wake us. I tell you Brother I lik'd not the manner of his departure, 'twas the very smooth smiling Face of Infant Rebellion; with what familiar Courtesie did he caress the Rabble?
My sickness grows upon me, set me higher.
Villany takes its time, all goes worse and worse in Ireland, Rebellion is there on the Wing, and here in the Egg; yet still the Court dances after the French Pipe, Eternal Apes of Vanity: Mutiny stirring, Discipline asleep, Knaves in Office, all's wrong; make much of your Sickness Brother: if it be Mortal, 'tis worth a Duke-dome.
O my Liege pardon me if you please, if not, I please not [Page 15] to be pardon'd, spare to seize the Royalties and Rights of banisht Herford, I fear already he's too apt t'engage against your Power, and these proceedings will give countenance and growth to his Designs, forbear to draw such Dangers on your Head.
Death and confusion! oh!—set my Corsleet right, fetch my commanding Sword: scour up the brown Bills, Arm, Arm, Arm.
Now Uncle for Heav'ns sake speak comfort.
Comforts in Heav'n, and we are on the Earth, nothing but crosses on this side of the Moon; my heart stews in Choller, I shall dissolve to a Gelly. That your Husband shou'd have no more wit than to go a Knight Erranting whilst Rogues seize all at home, and that I shou'd have no more wit than to be his Deputy at such a proper time: to undertake to support a crazy Government, that can scarce carry my own Fat: Well Sirrah, have you given my Son orders to strengthen his Forces? if he prove a Flincher too.—
Why so? go all which way it will, the Nobles are all fled, and hide themselves like my ungracious Rascal, or else strike in with the Rebels; the Commons find our Exchequer empty and revolt too, and a blessed bargain I have on't.
Death what a tide of woes break upon us at once. Perverse [Page 18] Woman to take this time to Die in, and the varlet her Son too to take this time to play the villain in: wou'd to Heav'n the King had cut off my Head as he did my Brothers, Come Sister —Couzen I would say, pray Pardon me, if I know how to order these perplext Affairs, I am a Sturgeon. Gentlemen go Muster up your Men, and meet me at Barkley Castle. I should to Plashie too, but time will not suffer; the Wind's cross too, and will let us hear nothing from Ireland, nor boots it much, if they have no better News for us, than we have for them. All's wrong, Oh! fie, hot! hot!
SCENE the Third.
Then Uncle I am sorry you have drawn the Guilt on your own head, and that of Course Justice must fall there too; we must Commit you to our Guards Custody.
Now the Villains Curse light on thee, and if thou dost seize the Crown, mayst thou be more Plagu'd with being King, than I am with being Deputy.
SCENE the Fourth.
1. Silence hea! I Revelation Stitch Command Silence.
Peace hoa!
1. Am I not Nobly Descended and Honourably Born?
2. Right, the Field is Honourable, and there was he Born under a Hedge.
[Page 21] 1. Have I not born Commission with Watt Tyler (witness our luminary lost in that Service) and was I not president at Iack Straw's Councel, to kill all the Nobility and Clergy; but the Fryers mendicant, that in our Reign wou'd soon have starv'd out o'th' way?
Hum! hum! hem!
1. What place then do our guifts desere at such a season, where the temporal King is absent and Usurpers invade?
2. Why, it behoveth thee to take unto thee a good Conscience, and make thy felf King.
1. Simon Shuttle, I never lik't thy Politicks, our meanest Brethren pretend to the spirit of Governing, our Talent is to govern the Governour; therefore as Bullingbrook shall approve himself to our liking, we will fix him upon the last of the Government, or cast him out amongst the shreds and shavings of the Common-wealth.
4. But pray Neighbour, what is this same Common-wealth?
3. You may see it at Smithfield all the Fair-time, 'tis the Butt End of the Nation.
5. Peace hea! hear Master Revelation expound it.
1. Why the Common-wealth is a-Kin to your-a-republick, like Man and Wife, the very same thing, only the Common-wealth is the Common-wealth and the Republick is the Republick.
2. What an excellent Spirit of knowledge is here?
3. Wee'l have no more Bills nor Bonds, but all shall be reduc't to the Score and Tally.
4. No Physick, but what shall be administer'd in a Horn.
5. We'l have Priviledges taken off, and all sorts compell'd to pay their Debts.
7. I except against that, I would rather break, than have gentlemen out of my debt; it gives us priviledg of being Sawcy: how are we fain to cringe 'till we have got them into our Books? and then I warrant we can cock up with the best of 'em. I hate mortally to be paid off, it makes a man such a sneaking Rascal.
1. We will have strict and wholsom Laws—
6. Laws, Strict Laws, so will there be no mischief done, and our Profession starve. I'll ha' no Laws.
Others, no Laws, no Laws, no Laws.
Others, Laws, Laws, Laws.
1. Hark, Bullingbrook approaches, put your selves in posture, [Page 22] and Sow-gelder, wind me a strong Blast to return their Complement.
1. Oh an envoy! know of him his Quality.
4. 'Tis Sir Iohn Rainston, I have wrought for him.
1. Down on thy knee; now (because we will observe Decorums of State) rise up Sir Iohn Drench and Treat with him.
2. Goodly! what a gracious person he is.
1. How's that? not usurp? hear ye that Neighbours? he refuses to Usurp.
Others, Fall on then, he is not for our turn, down with him.
[Page 23] 1. Sir, we shall give you to understand that we want a Usurper, and if you refuse to usurp you are a Traytor, and so we put our selves in Battail array.
1. One word of caution Friend, be not Chicken-hearted, but pluck up a Spirit for the work before thee; it was revealed to me that now there should arise a Son of Thunder, a second Tyler—and I am resolv'd the vision shall not Lie; therefore I say again pluck up a Spirit; otherwise I shall discharge my Conscience and usurp my Self.
1. Why Neighbours will ye thus give up your Light? who shall reveal to ye, to save you from the Poyson of the Whore and the Horns of the Beast.
2. He had no Vision to foretel this, therefore deserves Hanging for being a false Prophet.
4. Good Prince he weeps for him! Neighbour Revelation depart in peace. For thy honour it will be recorded that Bullingbrook was Crown'd and thou hang'd all on a Day.
1. What a spirit of delusion has seiz'd ye? why thus will this rav'nous Storck devour ye all? do, do, deliver me to the Gibbet, and [Page 24] let the next turn be yours, thus shall these Nobility Rascals hold you in Slavery, seize your Houses over your heads, hang your Sons and ravish your Daughters.
ACT the Third.
SCENE the First.
SCENE The Second.
2. Are Bushie Green and th' Earl of Wiltshire Dead?
SCENE the Third.
SCENE the Fourth.
ACT IV.
TUt, tut, tut, tell not me of Patience, 'tis a Load a Burden that Knaves will never cease to lay on whilst Asses will carry it! nothing but Villany in this versal World, and nothing plagues me but that I can't turn Villain too, to be Reveng'd.
My Lord, this is no Answer to our Message.
I, the Message! I had rather you had brought me— Poyson; for certain 'twas sent to be the Death of me: Thou know'st Boy, on what Account we are going this Morning. Won'd you think it, this Traytor Bullingbrook has sent for me; for me, I say, sent by these Rogues for me, to confer with him in private before the House sits.
That was indeed provoking.
Nay, let honest men judge if Murder was not in his heart, and that he thought the Message wou'd make me Die with Choller.—Now should I clap this pair of Arrows to a Bow-string and shoot 'em back to the Usurper.—Go tell the Knave your Master, He's a Fool to send for me, I renounce him: Speak with him in private before the House sits. Why? I wou'd not meet him there but to shew my self for Richard, and then tell him he'l see one that that hates a Traytor, be Bullingbrook what he will.
SCENE the Parliament.
ACT V.
What, in Tears still? Well, Heav'ns will must be— mark me Boy, I cannot blame thy grieving for Richard, because I do it my self; neither can I blame thee for not loving Bullingbrook, because I cannot do it my self: But to be true to him (or rather to our Oath, being now his sworn Subjects) I conjure thee. This I speak, because the King suspects thee, and made me even now pledge for thy truth and fealty: Bear you well therefore in this new Spring of Government, lest you be cropt before your time—Well, what News from Oxford, Boy? Hold th' intended Triumphs there? 'Tis said our new King will grace them with his Presence.
Ha! come nearer, what Seal is that which hangs out from thy Bosom? Ha! lookst thou pale? Let me see the writing.
Tho' I love not Bullingbrook, yet I hate Treason, and will impeach the Villain.
Wife, I believe it, therefore I impeach him; were he none of mine, let his own Father look to him; but since he is my Villain, I'll see the Villain orderd: My Horse, I say.
SCENE the Second.
SCENE the Third.
My Lord, I humbly beg the favour of a word in private with your Majesty.
So much for that,—one word at parting King, Let me tell thee King, 'twas none of these Politicks that made thee King, and so farewell to Court.