THE Vocal and Instrumental MUSICK OF THE PROPHETESS, OR THE HISTORY OF DIOCLESIAN.
COMPOSED By Henry Purcell, Organist of Their MAJESTIES Chappel, and of St. Peters Westminster.
LONDON, Printed by J. Heptinstall, for the Author, and are to be Sold by John Carr, at his Shop at the Middle-Temple Gate near Temple-Barr. MDCXCI.
To His GRACE CHARLES Duke of Somerset, Earl of HARTFORD, Viscount Beauchamp of HATCH, Baron Seymour of TROWBRIDGE, Chancellor of the University of CAMBRIDGE, Lord High Steward of CHICHESTER, And Knight of the most Noble Order of the GARTER.
YOUR Grace has been pleas'd so particularly to favour the Composition of the Musick in Dioclesian, that from thence I have been encourag'd to this presumption of Dedicating not only It, but also the unworthy Author of it to Your Protection. All Arts and Sciences have receiv'd their first encouragement from Great Persons, and owe their Propagation and Success to Their esteem: like some sort of Fruit-trees, which being of a tender Constitution, and delicate in their Nature, require the shadow of the Cedar to shield their Infancy from Blites and Storms.
Musick and Poetry have ever been acknowledg'd Sisters, which walking hand in hand, support each other; As Poetry is the harmony of Words, so Musick is that of Notes: and as Poetry is a Rise above Prose and Oratory, so is Musick the exaltation of Poetry. Both of them may excel apart, but sure they are most excellent when they are joyn'd, because nothing is then wanting to either of their Perfections: for thus they appear like Wit and Beauty in the same Person. Poetry and Painting have arriv'd to their perfection in our own Country: Musick is yet but in its Nonage, a forward Child, [Page] which gives hope of what it may be hereafter in England, when the Masters of it shall find more Encouragement. 'Tis now learning Italian, which is its best Master, and studying a little of the French Air, to give it somewhat more of Gayety and Fashion. Thus being farther from the Sun, we are of later Growth than our Neighbour Countries, and must be content to shake off our Barbarity by degrees. The present Age seems already dispos'd to be refin'd, and to distinguish betwixt wild Fancy, and a just, numerous Composition. So far the Genius of Your Grace has already prevail'd on Us: Many of the Nobility and Gentry have follow'd Your Illustrious Example in the Patronage of Musick. Nay even our Poets begin to grow asham'd of their harsh and broken Numbers, and promise to file our uncouth Language into smoother Words.
Once more, therefore, I presume to offer My Self and this Composition with all humility to Your Grace's Protection, at least till I can redeem so mean a Present by One which may better deserve Your Acceptation. Be pleas'd to pardon my Ambition, which had no other means to obtain the Honour of being made known to You, but only this. The Town, which has been so indulgent to my first Endeavours in this kind, has encourag'd me to proceed in the same Attempt; and Your Favour to this Trifle will be a good Omen not only to the Success of the Next, but also to all the future Performances of
First Musick.
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Second Musick.
[...]1 Trumpet.
[...]2 Trumpet.
[...]1 Hautboy.
[...]2 Hautboy.
[...]Tener Hautboy.
[...]1 Violin.
[...]2 Violin.
[...]Tener Violin.
[...]Bassoon.
[...]Base Violin.
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[...]Slow.
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[...]Slow.
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The First Song in the Second Act, just after Diocles has kill'd Aper.
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[...]Prelude.
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[...]Play soft.
[...]Play soft.
[...]Play soft.
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[...]Gr╌eat — Di╌o╌cles, — great — Di╌o╌cles, the — Boar has—
[Page 13] [...]
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[...]Kill'd which did in╌fest — the — Land; What heart is not with Rap╌ture—fill'd? —
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[...]Who can his — joys — command? down, — down, — down, down, the bloody —
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[...]Vil╌lain — falls, down, — down, down, down the bloody—Vil╌lain falls.— Hated, Con╌temn'd
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[...] of — all, — and now — now — the Emp'ror's — Spi╌rit Calls — for rites — of —
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[Page 15] [...]Chorus. (Faster time.)
[...]Chorus. (Faster time.)
[...]Chorus. (Faster time.)
[...]Chorus.
[...]Sing Iô's Sing Iô's Chorus.
[...]Sing Iô's Sing Iô's Chorus.
[...]Sing Iô's Sing Iô's Praise the Chorus.
[...]Funerall Sing Iô's Sing Iô's Praise the Chorus. (Faster time.)
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[Page 16] [...]
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[...]Praise the Thun╌d'ring Jove, —
[...]Praise the Thun╌d'ring Jove, Praise — the Thun —
[...]Thun╌d'ring Jove, — Praise the Thun╌d'ring Jove,—
[...]Thun╌d'ring — Jove, — Praise the Thun╌
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[Page 17] [...]
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[...]praise the Thun╌dring Jove
[...]dring Jove, praise the Thun╌dring Jove,
[...]praise the Thundring, Thundring Jove, the Thundring Jove,
[...]╌dring, Thundring Jove,
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[Page 18] [...]
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[...] Pallas and Venus share since the all charming Queen of Love in╌spires the God of
[...] Pallas and Venus share since the all charming Queen of Love in╌spires the God of
[...] Pallas and Venus share since the all charming Queen of Love in╌spires the God of
[...] Pallas and Venus share since the all charming Queen of Love in╌spires the God of
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[...]War, since the all-charming Queen of Love in╌spires
[...]War, since the all-charming Queen of Love in╌spires
[...]War, since the all-charming Queen of Love in╌spires
[...]War, since the all-charming Queen of Love inspires
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[Page 20] [...]
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[...] the God of Warr.
[...] the God of VVar.
[...] the God of VVar.
[...] the God of VVar.
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[Page 21] [...]Slow.
[...]For 2 Flutes.
[...]Vers. Charon the peace╌full Shade — in╌vites,—
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[...] Charon the peace╌full Shade, the peace╌full — Shade —in╌vites, he—
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[...]hastes—to waft him — o're, he — hastes — to waft him o're, —
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[...]give him all, give him all, — all—all necessary Rites; give him all, give him all ne╌ces╌sa╌ry —
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[...]Rites; —to — land —him on the — shoare. —
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[...]Sound, sound all —your In╌struments of —War, — Fifes, Trum╌pets
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[...](Symphony for Trumpets and Violins.) —Tim╌brells — play —
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[Page 23] [...]1 Trumpet.
[...]2 Trumpet.
[...]1 Violin.
[...]2 Violin.
[...]Very slow.
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[...]quick.
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[Page] [...]Let—all Man╌kind the—Pleasure share, And Bless this— happy, —happy, — happy —
[...]Let—all Man╌kind the—Pleasure share, And Bless this — happy, —happy, —happy —
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[...]day; Let — all Man╌kind the — Pleasure—share, And Bless this — happy, — happy, — happy —
[...]day; Let —all Man╌kind the — Pleasure—share, And Bless this — happy, — happy, — happy —
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[...]day; — this — happy, — happy, — happy — day; — this — happy, — happy, —
[...]day; this happy, — happy, — happy, — happy — day; this — happy, — happy, — happy, —
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[...]happy,—happy — day. —
[...]happy, — happy — day. —
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[Page 28]Cho. for Voices onely.
[...]Cho. Sound all — your In╌struments. Sound all — your In╌struments.
[...]Cho. Sound all — your In╌struments.
[...]Sound all╌your In╌struments.
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Flourish with all the Instruments in C faut Key.
[...]Cho. Violins and Hautboys.
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[...]Cho. Let —all Man╌kind the—Pleasure — share, And Bless this —happy, —happy, —happy —
[...]Let —all Man╌kind the—Pleasure — share, And Bless this —happy, —happy, — happy —
[...]Let —all Man╌kind the—Pleasure — share, And Bless this —happy, —happy, — happy—
[...]Cho. Let —all Man╌kind the—Pleasure — share, And Bless this —happy, —happy, — happy —
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[Page 29]Soft. 2 Trumpets. Soft.
[...]Soft. Loud.
[...]Soft. Loud.
[...]Soft. Loud.
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[...]day; — Let all Man╌kind the
[...]day;— Let all Man╌kind the
[...]day; — Let all Man╌kind the
[...]day; — Let all Man╌kind the
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[...]Pleasure Pleasure—share, — and Bless this hap╌py, hap╌py day; —
[...]Pleasure share, and Bless this hap╌py, — happy —day; — and —Bless this happy, this —
[...]Pleasure share, and Bless this — happy, —happy — day; — and—Bless this—happy,—
[...]Pleasure share, —and—Bless this hap╌py, —hap╌py — day; —
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[...]— this — happy, — happy, — happy—day; — And — Bless this —
[...]happy, — happy, — happy, — happy — day; this — happy, — happy, — happy — day;—
[...]happy, — happy, — happy, — happy — day; this — happy, — happy, — happy — day;—
[...]— this — happy, — hap╌py — day; —this — happy, —
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[...]happy, — happy — day; — this — happy, —hap╌py, — hap╌py — day.
[...]And — Bless this happy, this happy, — happy, — hap╌py, — hap╌py — day.
[...]And Bless this —happy, —happy, — happy, — hap╌py — hap╌py—day.
[...]happy, — happy — day; — this—hap╌py, —hap╌py — day.
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The second Song, in the same Act.
[...]Prelude for Hautboys.
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[...]Let the Soldi╌ers re╌joyce,
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[...] with a Gene╌rall Voice, and the Se╌nate new ho╌nours de╌cree 'em;
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[Page 34] [...]Who at his Armies Head, struck the Fell Mon╌ster Dead: and so bold╌ly, so bold╌ly,
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[...]Chorus. and brave╌ly did free 'em.
[...]Chorus.
[...]Violins and Hautboys.
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[...]Re╌joyce— with a Ge╌ne╌rall — Voice, re╌joyce—
[...]Re╌joyce— with a Ge╌ne╌rall — Voice, re╌joyce—
[...]Re╌joyce—re╌joyce—re╌joyce re╌joyce re╌joyce—re╌
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[Page 35] [...]
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[...]— with — a — ge╌ne╌rall—Voice—re╌joyce—
[...]— with —a —ge╌ne╌rall—Voice—re╌joyce—
[...]╌joyce—with — a — ge╌ne╌rall Voice re╌joyce—re╌
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[Page 36] [...]
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[...]— with a — ge╌ne╌rall — Voice, —re╌joyce —
[...]— with a — ge╌ne╌rall— Voice, —re╌joyce —
[...]— joyce — re╌joyce with a —ge╌ne╌rall—Voice, —re╌joyce—
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[Page 37] [...]soft
[...]soft
[...]soft
[...]soft — with a ge╌ne╌ral Voice, with a ge╌ne╌ral Voice,
[...]soft re╌joyce—with a general voice, with a general voice.
[...]soft — with a ge╌neral Voice, with a ge╌ne╌ral Voice,
[...]soft Retornella.
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[...]First Trumpet.
[...]Second Trumpet.
[...]First Hautboy.
[...]Second Hautboy.
[Page 38] [...]
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[Page 40] [...]To Mars let 'em raise, and their Em╌pe╌rors—praise, a Tro╌phy, a Tro╌phy of the
[...]To Mars let 'em raise, and their Em╌perors praise, a Tro╌phy, a Tro╌phy of the
[...]To Mars let 'em raise, and their Em╌pe╌rors praise, a Tro╌phy of the
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[...]Ar╌mies own making, To Max╌i╌mian too, some Ho╌nours are due, who
[...]Armies own making, To Max╌i╌mian too, some Ho╌nours are due, who
[...]Armies own making, To Max╌i╌mian too, some Honours are due, who
[...]First
[...]Second Chorus again with the Retor following. joyn'd in the brave, in the brave under╌taking.
[...]Chorus again with the Retor following. joyn'd in the brave, in the brave un╌der╌taking.
[...]Chorus again with the Retor following. joyn'd in the brave, in the brave un╌der╌taking.
[...]Chorus again with the Retor following.
[Page 41] [...]
[...]Symphony for Flutes.
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[...]since the toils & the ha╌zards of War,s at an end.
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[Page 42] [...]
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[...]the pleasures of Love—should succeed 'em the fair should pre╌sent what the Se╌na╌tors
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[...]send and compleat what they've de╌creed 'em, & compleat, compleat what—they've de╌creed 'em.
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[...]with Dances and Songs, with Tam╌bours and Flutes, let the Maids show their
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[Page 43] [...]
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[...]Joy —as they
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[...]meet 'em, with
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[...]Dances and Songs, with Tam—bours and Flutes, let the Maids shew their Joy—
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[Page 44] [...]
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[...]— as they meet 'em,
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[...]with Cimbals and Harp, with Viols and Lutes let the Husband & true Lo╌vers greet 'em, let the
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[...]Husbands and true Lo╌vers greet him, with Cimbals and Harps, with Vi╌als and
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[Page 45] [...]
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[...]Lutes, let the Husbands, let the Husbands, and true Lovers greet 'em, with
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[...]Sym╌balls and Harps, with Vi╌ols and Lutes, let the Husbands and
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[...]true Lo╌vers greet 'em, let the Hus╌bands and true Lo╌vers greet 'em,
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[Page 46] [...]
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[...]with Cymballs and Harps, with Viols and Lutes, let the
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[...]Hus╌band, let the Hus╌band, and true Lov╌ers greet e'm.
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[...]Let the Priests with pro—
[...]Let the Priests with processions, the Hero at╌
[...]Let the Priests with processions, the He╌ro at╌tend, the
[...]Let the Priests with processions, the He╌ro attend, —the
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[Page 48] [...]
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[...]cessions, the Hero, the He╌ro at╌tend, Let the Priests with processions, the
[...]— Let the Priests with pro╌cessions, the He╌ro at╌tend,
[...]Hero at╌tend, Let the Priests with processions, the Hero at╌tend,
[...]He╌ro, the He╌ro at╌tend, Let the Priests with pro╌cessions, the Hero at╌
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[Page 49] [...]
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[...]He╌ro attend, and Statues erect to his glo╌ry.
[...]Statues erect, and Statues e╌rect to his glory. Let the smoak from the
[...]╌tend, and Statues e╌rect to his glory.
[...]tend, and Statues e╌rect to his glory.
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[Page 50] [...]
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[...]Let the smoak from the Altars to
[...]Altars to Heav'n as╌cend, Let the smoak to
[...]Let the smoak from the Altars to Heav'n as╌cend, to Heav'n as╌cend, to
[...]Let the smoak from the Altars to Heav'n as╌cend to
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[Page 51] [...]Chorus. All the Violins and Hautboys.
[...]All the Instruments.
[...]All the Tenors.
[...]Chorus. Heav'n as╌cend. All sing, all sing great,
[...]Chorus. Heav'n as╌cend. All sing, all sing great,
[...]Chorus. Heav'n as╌cend. All sing, all sing great,
[...]Chorus. Heav'n as╌cend. All sing, all sing great,
[...]Chorus.
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[Page 52] [...]
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[...]great Di╌o╌cles story, All sing, all sing great, great
[...]great Di╌o╌cles story, All sing, all sing great, great
[...]great Di╌o╌cles story, All sing, all sing great, great
[...]great Di╌o╌cles story, All sing, all sing great, great
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[Page 53] [...]
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[...] Di╌o╌cles story, all sing great, great Di╌o╌cles story.
[...] Di╌o╌cles story, all sing great, great Di╌o╌cles story.
[...] Di╌o╌cles sto╌ry all sing great, great Di╌o╌cles sto╌ry.
[...] Di╌o╌cles- story, all sing great, great Di╌o╌cles story.
(Soft Musick that's plaid just before the Dance of Furies.)
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[Page 54] [...]Dance.
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Second Actt Tune.
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Two in one upon a Ground. Chaconne for Flutes, in the Third Act.
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The Chair Dance.
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(Prelude for Hautboys.)
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[Page 67] [...]
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[...]Song.
[...]What shall I doe, to show how much I Love her, How many Millions of
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[Page 68] [...]sighs can suf╌fize; That which wins others hearts, ne╌ver can move her,
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[...]Those common me╌thods of Love she'll des╌pise. I will Love more than Man
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[...]er'e Lov'd be╌fore me: Gaze on her all the day, and melt all the
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[...]Night. Till for her own sake, at last she'll Im╌plore me; to Love her
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[...]Prelude again less, to pre╌serve our de╌light.
[...]and so go on.
II.
Third Act Tune.
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Soft Musick before the Dance in the Fourth Act. Butterfly Dance.
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Tune for Trumpets.
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[Page 72] [...]
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[...]Vers Trumpet.
[...]Sound— Fame thy Brazen Trumpet, Sound
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[...]Sound—Sound—Sound—
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[...]—thy Brazen Trum╌pet Sound
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[Page 73] [...]
[...]stand, stand in the Cen╌tre, stand in the centre of the u╌ni╌verse,
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[...] and call, and call —
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[...]the listning World a round,
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[...]while we in joy╌full Notes re╌hearse
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[Page 74] [...]
[...] in Artful Numbers, in Artful Numbers and
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[...]well cho╌sen Verse Great Di╌o╌cle╌sian's
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[...]Great— Di╌o╌cle╌sian's Glo╌ry,
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[Page 75] [...]
[...]Great Di╌o╌clesian's
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[...]Great— Di╌o╌cle╌sian's Glo╌ry,
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[...]Great— Di╌o╌cle╌sian's Glo╌ry,
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[Page 76] [...]Cho.
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[...]
[...]
[...]Let all re╌hearse in lof╌ty Verse Great, Great Di╌o╌clesians Glo╌ry,
[...]Let all re╌hearse in lof╌ty Verse Great, Great Di╌o╌clesians Glo╌ry,
[...]Let all re╌hearse in lof╌ty Verse Great, Great Di╌o╌clesians Glory,
[...]Let all re╌hearse in lof╌ty Verse Great, Great Di╌o╌clesians Glory,
[...]
[...]
[...]
[...]
[Page 77] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[Page 78] [...]
[...]
[...]
[...]let all re╌hearse in lof╌ty Verse,
[...]let all re╌hearse in lof╌ty Verse,
[...]let all re╌hearse in lof╌ty Verse,
[...]let all re╌hearse in lof╌ty Verse,
[...]
[...]
[...]
[...]
[Page 79] [...]
[...]
[...]
[...]Great, Great Dio╌cle╌sian's Glo╌ry.
[...]Great, Great Dio╌cle╌sian's Glo╌ry.
[...]Great, Great Di╌o╌cle╌sian's Glo╌ry.
[...]Great, Great Dio╌cle╌sian's Glo╌ry.
[...]
[...]
[...]
[...]
[Page 90] [...]First Trumpet.
[...]Second Trumpet.
[...]
[...]
[...]
[...]sound his re╌nown, sound his re╌nown,
[...]sound his re╌nown, sound his re╌nown,
[...]sound his re╌nown, sound his re╌nown,
[...]sound his re╌nown, sownd his re╌nown,
[...]
[...]
[Page 81] [...](Soft.)
[...]
[...]
[...]
[...]
[...]sound his re╌nown,
[...]sound his re╌nown,
[...]sound, sound his re╌nown,
[...]sound, sound his re╌nown,
[...]
[...]
[...]
[Page 82] [...]
[...]
[...]
[...]
[...]
[...]sound his re╌nown, ad╌vance,
[...]sound his re╌nown, ad╌vance his
[...]sound his re╌nown, ad╌vance his Crown:
[...]sound his re╌nown, ad╌vance his Crown: sound, sound his re╌nown,
[...]
[...]
[...]
[Page 83] [...]
[...]
[...]
[...]
[...]
[...]ad╌vance his Crown: sound his re╌nown, ad╌
[...]Crown, ad╌vance his Crown: sound his re╌nown, ad╌
[...] ad╌╌vance his Crown: sound his re╌nown,
[...]ad╌╌vance his Crown: sound his re╌nown,
[...]
[...]
[...]
[Page 84] [...]
[...]
[...]
[...]
[...]
[...]—vance—his Crown, ad╌vance his
[...]—vance his Crown, advance his Crown, ad╌vance his
[...]ad╌vance his Crown, ad╌vance his
[...]ad╌vance his
[...]
[...]
[...]
[Page 85] [...]
[...]
[...]
[...]
[...]
[...]Crown, a╌bove all Monarchs, that e'er blest the Earth: a╌bove all
[...]Crown, a╌bove all Monarchs, that e're blest the Earth: a╌bove all
[...]Crown, a╌bove all Monarchs, that e're blest the Earth: a╌bove all
[...]Crown, a╌bove all Monarchs, that e're blest the Earth: a╌bove all
[...]
[...]
[...]
[Page 86] [...]
[...]
[...]
[...]
[...]
[...]Monarchs that e're blest the Earth. O! O! sacred Fame, O! sacred
[...]Monarchs that e're blest the Earth. O! O! sacred Fame, O! sacred
[...]Monarchs that e're blest the Earth. O! O! sacred Fame, O! sacred
[...]Monarchs that e're blest the Earth. O! O! sacred Fame, O! sacred
[...]
[...]
[...]
[Page 87] [...]
[...]
[...]
[...]Fame, embalm his name with Honour here, and glo╌ry af╌ter Death.
[...]Fame, embalm his name with Honour here, and glo╌ry af╌ter Death.
[...]Fame, embalm his name with Honour here, and glo╌ry af╌ter Death.
[...]Fame, embalm his name with Honour here, and glo╌ry af╌ter Death.
[...]
[...]
[...]
[...]
[...]
[Page 88] [...]
[...]
[...]
[...]
[...]
[...]All sing his story, all sing his sto╌ry:
[...]All sing his story, all sing his sto╌ry:
[...]All sing his story, all sing his sto╌ry:
[...]All sing his story, all sing his sto╌ry:
[...]
[...]
[...]
[Page 89] [...](Soft.)
[...](Soft.)
[...]
[...]
[...]
[...]All sing his sto╌ry,
[...]All sing his sto╌ry,
[...]All sing his story, Raise,
[...]All sing his story, Raise,
[...]
[...]
[...]
[Page 90] [...]
[...]
[...]
[...]
[...]
[...]Raise, raise—his Glory; raise,
[...]Raise, raise—his Glo╌ry
[...]raise—his Glory raise, raise—
[...]raise —his Glory, all, all sing his sto╌ry; raise, raise—
[...]
[...]
[...]
[Page 91] [...]
[...]
[...]
[...]
[...]
[...]raise his Glo╌ry; all sing his sto╌ry, raise, raise—
[...]raise his Glo╌ry; all sing his sto╌ry, raise, —
[...]—his Glo╌ry; all sing his sto╌ry, raise,
[...]— his Glo╌ry; all sing his sto╌ry,
[...]
[...]
[...]
[Page 92] [...]
[...]
[...]
[...]
[...]
[...]—his Glo╌ry; Raise, raise his Glory, a bove all
[...]raise his Glo╌ry; raise, raise his Glory, a bove all
[...]raise his Glory; raise, raise—his Glory a bove all
[...]Raise, raise—his Glory; a bove all
[...]
[...]
[...]
[Page 93] [...]
[...]
[...]
[...]
[...]
[...]Monarchs, that e'er blest the Earth; a╌bove all Monarchs, that e'er blest the Earth.
[...]Monarchs, that e're blest the Earth; a╌bove all Monarchs, that e're blest the Earth.
[...]Monarchs, that e're blest the Earth; a╌bove all Monarchs, that e're blest the Earth.
[...]Monarchs, that e're blest the Earth; a╌bove all Monarchs, that e're blest the Earth.
[...]
[...]
[...]
Fourth Act Tune.
[...]
[...]Two Trumpets.
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
Country Dance, in the Fifth Act.
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
Masque in the same Act.
[...]Prelude for Violins only.
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[Page 97] [...](Soft.) (Chorus.)
[...]
[...]Vers. (Chorus) Enter Cupid, and Sings. (Chorus)
[...]Vers. Call the Nymphs, and the Fawns, from the Woods; the Nymphs, and the Fawns, from the
[...]the Nymphs, and the Fawns, from the
[...](Chorus.) the Nymphs, and the Fawns, from the
[...]the Nymphs, and the Fawns, from the
[...]
[...]
[...]
[...]
[...]
[Page 98] [...]Vers. (Chorus.)
[...]
[...]Vers. (Chorus)
[...]Vers. (Chorus.)
[...]VVoods. Call the Naids, and Gods of the Floods; the Naids, and
[...]VVoods. The Naids, and
[...]Woods. The Naids, and
[...]Woods. The Naids, and
[...]
[...]
[...]
[...]
[Page 99] [...]Vers. (Chorus.) Vers.
[...]
[...]Vers. (Chorus.) Vers.
[...]Vers. (Chorus.) Vers.
[...]Gods of the Floods. Call Flora; and Co╌mus; Flora, and Comus. Si—
[...]Gods of the Floods. Flora, and Comus.
[...]Gods of the Floods. Flora, and Comus.
[...]Gods of the Floods. Flora, and Comus.
[...]
[...]
[...]
[...]
[Page 100] [...](Chorus.) Vers.
[...]
[...](Chorus.) Vers.
[...](Chorus.) Vers.
[...]— lenus, and Momus; Si╌lenus, and Momus. Call Bachus and his Merry merry merry
[...] Si╌lenus, and Momus.
[...] Si╌lenus, and Momus
[...] Si╌lenus, and Momus.
[...]
[...]
[...]
[...]
[Page 101] [...](Chorus.)
[...]
[...](Chorus.)
[...](Chorus)
[...]merry, merry Fellows. Bacchus, and his merry merry, merry merry, merry
[...] Bacchus, and his merry merry, merry merry, mer╌ry
[...] Bacchus, and his merry merry, merry merry, mer╌ry
[...] Bacchus, and his merry merry, merry merry, mer╌ry
[...]
[...]
[...]
[...]
[Page 102] [...]Vers. (Chorus.)
[...]
[...]Vers. (Chorus.)
[...]Vers. (Chorus.)
[...]fellows. Sil╌vanus, and Ce╌res, and Tellus, Sil╌vanus, and Cerus, and
[...]fellows. Sil╌vanus, and Ce╌res, and
[...]fellows. Sil╌vanus, and Ce╌res, and
[...]fellows. Sil╌vanus, and Ce╌res, and
[...]
[...]
[...]
[...]
[Page 103] [...]Vers.
[...]
[...]Vers.
[...]Vers.
[...] Tellus. all leave for a while their a╌bodes, all leave for a
[...] Tellus.
[...] Tellus.
[...] Tellus.
[...]
[...]
[...]
[...]
[Page 104] [...](Chorus.)
[...]
[...](Chorus.)
[...](Chorus.)
[...]while their a╌bodes, all leave for a╌while their a╌bodes.
[...]all leave for a╌while their a╌bodes.
[...]all leave for a╌while their a╌bodes.
[...]all leave for a╌while their a╌bodes.
[...]
[...]Let the Graces, and Pleasures re╌pair, with the
[...]
[...]youthfull, the gay, the witty, and Fair. Let the Graces, and Pleasues re╌pair,
[Page 105] [...] with the youthfull, the Gay, the Wit╌ty, and Fair. May all harmless de╌lights,
[...]
[...] Happy dayes and kind Nights, for ever attend this blest Pair. May all
[...]
[...]harmless delights, Happy dayes and kind Nights, for ever attend this blest Pair. May all
[...]
[...]harmless delights Happy dayes and kind Nights for ever attend this blest Pair.
[...]
[...]Come, come away, Come, come away, no de╌lay,
[...]Come, come away, Come, come a╌way,
[...]
[Page 106] [...] no de╌lay, no, no, no, no, no, no, no, no, no de╌lay,
[...] no de╌lay, no de╌lay, no, no, no, no, no de╌lay, no, no, no, de╌lay,
[...]
[...] come away, come away come, come a╌way, come, come a╌way.
[...] come away come a╌way, come, come a╌way, come, come a╌way.
[...]
[...]All know 'tis his will, 'tis his will, then all, then all, shew their
[...]All know 'tis his will, 'tis his will, then all then all,
[...]
[...]Skill; then all, then all, —shew their Skill.
[...]shew their Skill; then all, —shew their Skill. To grace
[...]
[Page 107] [...]To gracs loves Tri╌umph╌ing day, to
[...]Loves Tri╌umph╌ing day, to grace Loves Tri╌╌umph╌ing
[...]
[...]grace Loves Tri╌umph╌ing day.
[...] day.
[...]
Prelude for Violins, and Hautboyes.
[...]Both. Haut.
[...]Haut.
[...]
[...]
[Page 108] [...]Violin.
[...]Violin.
[...]
[...]
[...]Haut. Violin. Haut.
[...]Haut. Violin. Haut.
[...]
[...]
[...]Violin. Haut. Violin.
[...]Violin. Haut. Violin.
[...]
[...]
[Page 109] [...]Haut. Both.
[...]Haut. Both.
[...]
[...]
[...]Chorus.
[...]Chorus.
[...]Chorus.
[...]Chorus.
[...]
[...]
[...]
[...]
[Page 110] [...]
[...]
[...]
[...]Cho. Be╌hold O mighty'st, O mighty'st of Gods, be╌hold, be╌hold, at
[...]Be╌hold, be╌hold O mighty'st, O mighty'st, of Gods, be╌╌hold,
[...]Be╌hold O mighty'st, O mighty'st, of Gods, be╌hold, be╌╌hold,
[...]Be╌hold, be╌hold, O mighty'st O mighty'st, of
[...]
[...]
[...]
[...]
[...]
[Page 111] [...]
[...]
[...]
[...]thy com╌mand, at thy com╌mand we come!
[...] at thy com╌mand, we come!
[...] Be╌hold at thy com╌mand, we come!
[...]Gods, be╌hold at thy com╌mand, we come!
[...]
[...]
[...]
[...]
[...]
[Page 112] [...]
[...]
[...]
[...]The gay, the sad, the Grave, the Glad, the
[...]The gay, the sad, the Grave, the Glad, the
[...]The gay, the sad, the Grave, the Glad, the
[...]The gay, the sad, the Grave, the Glad, the
[...]
[...]
[...]
[...]
[...]
[Page 113] [...]
[...]
[...]
[...]youth╌full and the Old; All
[...]youthfull and the Old; All
[...]youth╌full and the Old; All
[...]youthfull and the Old; All
[...]
[...]
[...]
[...]
[...]
[Page 114] [...]
[...]
[...]
[...]meet, all meet, all meet as at the day of Doom.
[...]meet, all meet, all meet as at the day of Doom.
[...]meet, all meet, all meet as at the day of Doom.
[...]meet, all meet, all meet as at the day of Doom.
[...]
[...]
[...]
[...]
[...]
[Page 115] [...]
[...]
[...]
[...]Be╌hold, O mighty'st, O
[...]Be╌hold,
[...]Be╌hold, O mighty'st, O
[...]Be╌hold, Be╌hold,
[...]
[...]
[...]
[...]
[...]
[Page 116] [...]
[...]
[...]
[...]mighty'st of Gods, be╌hold, be╌hold at thy com╌mand, be╌hold at
[...]O mighty'st, O mighty'st of Gods be╌hold, be╌hold at
[...]mighty'st of Gods, be╌hold, be╌hold at thy com╌mand, at
[...]O mighty'st, O mighty'st of Gods be╌hold, be╌hold at
[...]
[...]
[...]
[...]
[...]
[Page 117] [...]
[...]
[...]
[...]thy com╌mand we Come.
[...]thy com╌mand we Come.
[...]thy com╌mand we Come.
[...]thy com╌mand we Come.
[...]
[...]
[...]
[...]
[...]
[Page 118] [...]Paspe.
[...](Trumpet.)
[...](Trumpet.)
[...](Violin)
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[Page 119] [...]
[...]
[...]
[...]
[...]
[...]
[...]Oh the sweet de╌lights of Love, oh, oh, oh, oh, oh the sweet de╌╌lights
[...]Oh the sweet de╌lights of Love, oh, oh, oh, oh, oh the sweet de╌╌lights
[...]
[...] of Love, who who wou'd live, who, who wou'd live and not enjoy╌e'm?
[...] of Love, who wou'd live, who who wou'd live, wou'd live and not enjoy e'm?
[...]
[Page 120] [...]I'de re╌fuse the Throne of Jove, should power—or ma╌jesty, should
[...]I'de re╌fuse the Throne of Jove, should power—
[...]
[...]
power—or ma╌jes╌ty de╌stroy e'm.
[...]
—or ma╌jes╌ty de╌stroy-e'm.
[...]
[...]Give me, give me, give me doubts, or give me, give me fears, give me, give me, give me jealou╌sies
[...]Give me, give me, give me doubts, or give me, give me fears, give me, give me, give me jealou╌sies
[...]
[...] and Cares: But let Love, let Love remove e'm, but let Love re╌╌move
[...] and Cares: But let Love, but let Love— re╌╌move
[...]
[Page 121] [...]
e'm, I approve e'm, I ap╌prove e'm, I approve e'm.
[...]
e'm, I ap╌prove e'm, I ap╌prove e'm, I—approve e'm.
[...]
[...]Let Monarchs fight for power and Fame, with noise and Arms
[...]
[...]mankind a╌larm, Let dayly fears their qui╌et fright and cares dis╌╌turb
[...]
[...] their rest by Night; Let Monarchs fight for power and
[...]
[...]Fame, with noise and Arms Man╌kind a╌larm, greatness shall ne'er
[...]
[Page 122] [...]my soul In╌thrall, give me con╌tent and I have all, greatness shall
[...]
[...]ne'er my soul In╌thrall, give me con╌tent and I have all.
[...](Chorus.)
[...]
[...](Chorus)
[...](Chorus.)
[...]Here mighty Love to the I call, Give me As╌tre╌a
[...]Here mighty Love to the I call, Give me As╌tre╌a
[...]Here mighty Love to the I call, Give me As╌tre╌a
[...]Here mighty Love to the I call, Give me As╌tre╌a
[...]
[Page 123] [...]
[...]
[...]
[...]and I have all; That soft that sweet that Charming Fair,
[...]and I have all; That soft that sweet that Charming Fair,
[...]and I have all; That soft that sweet that Charming Fair,
[...]and I have all; That soft that sweet that Charming Fair,
[...]
[...]
[...]
[...]
[...]
[Page 124] [...]First strain again.
[...]First strain again.
[...]First strain again.
[...]First strain again. Fate cannot hurt whilst I have her. Shes wealth and
[...]First strain again. Fate cannot hurt whilst I have her. Shes wealth and
[...]First strain again. Fate cannot hurt whilst I have her. Shes wealth and
[...]First strain again. Fate canont hurt whilst I have her. Shes wealth and
[...]First strain again.
[...]
[...]
[...]
[...]
[Page 125] [...]
[...]
[...]
[...]power, and on╌ly, she, As╌tre╌a's all the world to me: she's wealth and
[...]power, and on╌ly she, As╌tre╌a's all the world to me: she's wealth and
[...]power, and on╌ly she, As╌tre╌a's all the world to me: she's wealth and
[...]power, and on╌ly she, As╌tre╌a's all the world to me: she's wealth and
[...]
[...]
[...]
[...]
[...]
[Page 126] [...]
[...]
[...]
[...]power, and on╌ly she, As╌tre╌a's all the world to me.
[...]power, and no╌ly she, As╌tre╌a's all the world to me.
[...]power, and on╌ly she, As╌tre╌a's all the world to me.
[...]power, and on╌ly she, As╌tre╌a's all the world to me.
[...]
[...]Prelude for Hautboyes.
[...]
[...]
[Page 127]Enter two Bacchanalls and Sing.
[...]Make room, make room, make
[...]Make
[...]
[...]room, make room, make room, make room, make room, make room,
[...]room, make room, make room, make room, make room, make room for the
[...]
[...]for the great God, the great God of Wine: the
[...]great God, the great God, the great God of VVine:
[...]
[...] Bacchanalls come with Liquar divine, with Liquar divine, make room, make room, make
[...]the Bacchanalls come with Liquar divine: make room, make
[...]
[Page 128] [...]room, make room, make room for the great God, the great—
[...]room, make room, make room for the great Gad, the great God, the great—
[...]
[...]—God of VVine.
[...]— God of VVine.
[...]
[...]
[...] Bacchus.
[...]I'm Here, I'm Here, I'm Here with my jol╌ly, jol╌ly
[...]
[...]
[Page 129] [...]
[...]
[...]Jol╌ly Crew come near, come, come
[...]
[...]we'll re╌joyce,
[...]we'll re╌joyce, re╌joyce,
[...]near, come near, come, come near, come near, come, come near we'l re╌joyce, re╌joyce, re╌joyce,
[...]
[...] re╌joyce, re╌joyce, we'll re╌joyce, re╌joyce, we'll re╌joyce, we'll re╌joyce—
[...] re╌joyce as well as you, we'll re╌joyce, we'll re╌joyce—
[...]rejoyce as well as you; we'll re╌joyce, re╌joyce, re╌joyce—
[...]
[Page 130] [...]
[...]
[...]as well as you.
[...]— as well as you.
[...]as well as you. Give to ev'╌ry one his
[...]
[...]then all together clash, clash, clash, then all to╌gether
[...]then all together, clash, clash, clash, then all together,
[...]glass, give, give to ev'ry one his glass, then all together clash; clash, clash, then all together
[...]
[...]
[...]
[Page 131] [...]clash, clash, clash, clash, clash, then all-to╌gether clash, clash, clash, then all to╌gether
[...]clash, clash, clash, clash, clash, then all-to╌gether clash, clash, clash, then all to╌gether
[...]clash, clash, clash, clash, clash, then all to╌gether clash, clash, clash, then all together
[...]
[...]
[...]
[...]clash, clash, clash, drink, drink, drink,
[...]clash, clash, clash, drink, drink, drink, drink & despise the
[...]clash, clash, clash, drink, drink, drink,
[...]
[...]
[...]
[Page 132] [...]
[...]
[...]Drink and de╌spise the Po╌li╌tick Ass, drink, drink, drink, drink drink and de╌spise the
[...]Po╌li╌tick Ass, drink, drink, drink, drink, drink and de╌spise the Po╌li╌tick Ass, drink
[...]drink and despise the Po╌li╌tick Ass, drink, drink, drink, drink
[...]
[...]
[...]
[...]Po╌litick Ass, drink, drink, drink, drink & de╌spise, drink, drink & de╌spise the Po╌li╌tick
[...]drink, drink, drink, drink and de╌spise the Po╌li╌tick Ass, de╌spise the Po╌li╌tick
[...]drink and de╌spise the po╌li╌tick Ass, drink, drink & de╌spise, de╌spise the po╌li╌tick
[...]
[Page 133] [...]Cho.
[...]Cho.
[...]Cho.
[...]The migh╌ty,
[...]Ass. The mighty, mighty,
[...]Ass. The migh╌ty, mighty
[...]Ass. The migh╌ty, mighty
[...]
[...]
[...]
[...]
[...]
[Page 134] [...]
[...]
[...]
[...]mighty, mighty Jove who rules a╌bove ne'r troubl'd, ne'r troubl'd his Head with much
[...]mighty, mighty Jove, who rules a╌bove ne'r troubl'd, ne'r troubl'd his Head with much
[...] Jove, the mighty Jove who rules a╌bove, ne'r troubl'd, ne'r troubl'd his Head with much
[...] Jove — who rules a╌bove ne'r troubl'd, ne'r troubl'd his Head with much
[...]
[...]
[...]
[...]
[...]
[Page 135] [...]
[...]
[...]
[...]think╌ing, he took off his Glass, he took off his Glass, was kind, kind
[...]thinking, he took off his Glass, he took off his Glas, was kind to his Lass, was kind, kind,
[...]think╌ing, he took off his Glass, he took off his Glass, was kind, was kind to his Lass, was
[...]think╌ing, he took off his Glass, he took off his Glass, was kind, was
[...]
[...]
[...]
[...]
[...]
[Page 136] [...]
[...]
[...]
[...]kind to his Lass — and gain'd Heav'n by Love,—& gain'd Heav'n, gain'd Heav'n by Love & good Drinking.
[...]kind to his Lass, & gain'd Heav'n, gain'd Heav'n by Love, & gain'd Heav'n— by Love and good Drinking.
[...]kind to his Lass & gain'd Heav'n, gain'd Heav'n by Love, & gain'd Heav'n, gain'd Heav'n by Love, by Love & good Drinking.
[...]kind to his Lass — and gain'd Heav'n by Love, — and gain'd Heav'n, gain'd Heav'n by Love & good Drinking.
[...]
[...]
[...]
[...]
[...]
[Page 137] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[Page 138] [...]
[...]
[...]
[...]
[...]Still I'm wishing, still—de╌sir╌ing, still she's gi╌ving,
[...]
[...]I —re╌quir╌ing: Yet each gift I think too small,
[...]
[...]still—the more—I am—pre╌sent╌ed, still the less I
[...]
[...]am con╌tent╌ed; tho' she vows she has giv'n me all
[...]
[Page 139] [...]RETOR.
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[Page 140] [...]
[...]
[...]
[...]
II
Canaries.
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[Page 141] [...]A Dialogue. Tell me why, tell me why my Charm╌ing fair,
[...]
[...]Tell me why, tell me why you thus—de╌ny me; Can dis╌pair,
[...]
[...]can dis╌pair, or these sighs and looks of care make Co╌rin╌na e╌ver
[...]
[...]fly —me, e╌ver fly me? Tell me why, tell me
[...]
[...]why, my Charm╌ing fair, tell me why you thus de╌ny me.
[...]
[...]O Mir╌ti╌lo you'r —a╌bove me, I re╌spect but
[...]
[Page 142] [...]dare not Love ye. She who hears, in╌clines to sin, who
[...]
[...]par╌lies, half gives up the Town, and ra╌ve╌nous Love soon
[...]
[...]en╌ters in, when once the out work's bea╌ten down:
[...]
[...]Then my sighs and tears won't move ye, no, no, no, no,
[...]
[...]no, Mir╌ti╌lo, you'r a╌bove me; I res╌pect, but
[...]
[...]dare not Love ye: no, no, no, no, no, Mir╌ti╌lo,
[...]
[Page 143] [...]you'r a╌bove me; I re╌spect, but dear not Love ye:
[...](Soft.)
[...]I re╌spect, but dare not Love ye. Could this love╌ly
[...]
[...]charming Maid think Mir╌ti╌lo would de╌ceive her? could Co╌rin╌na
[...]
[...] be a╌fraid, she by him should be be╌tray'd?
[...]
[...]No, no, no, no, too well, too well I Love her, there╌fore can╌not
[...]
[...]be above her. O, O, O, O, Let Love with Love be paid.
[...]
[Page 144] [...]my Heart, my Life, my Heart, my Life, my all I give her: Let me
[...]
[...]now, now, now, Let me now, now, now, Ah! now, now, now re╌ceive her. Oh! how
[...]
[...]glad╌ly we be╌leive, when the Heart is too too willing.
[...]
[...]Can that look, that face de╌ceive? can he take de╌light in
[...]
[...]Killing? Ah! I dye, Ah! I dye, I dye if you de╌ceive
[...]
[...] me. Yet I will, I will, yet I will, I will be╌leive ye. Ah! I
[...]
[Page 145] [...]die, Ah! I die, if you de╌ceive me! Yet I will, I
[...]
[...]will, Yet, yet I will, I will, Yet, yet I will, I will be╌leive ye.
[...]
[...]Cho. Oh! how glad╌ly we be╌leive, when the Heart is too too
[...]Cho. Oh! how glad╌ly we be╌leive, when the Heart is too too
[...]
[...]willing: Can that Look, that Face de╌ceive? Can he take de╌light
[...]willing Can that Look, that Face de╌ceive? Can he take de╌light
[...]
[...]
[...]
[Page 146] [...] in kil╌ling? Ah! I dye, Ah! I dye, I
[...] in kil╌ling? Ah! I dye, Ah! I
[...]
[...]dye if you de╌ceive me! Yet I will, I will, yet I will, I will be╌╌leive ye:
[...]dye if you de╌ceive me! Yet I will, I will, I will be╌╌leive
[...]
[...] Ah! I dye, Ah! I dye, if you de╌╌ceive
[...] ye: Ah! I dye, I dye if you de╌╌ceive
[...]
[...] me! Yet I will, I will, Yet, yet I will, I will, Yet, yet I will,
[...] me! Yet I will, I will, Yet, yet I will, I will, yet I will,
[...]
[Page 147] [...]I will be╌leive ye. Dance.
[...]I will be╌leive ye.
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[Page 148] [...]All our Dayes and our Nights, shall be spent in de╌lights, 'tis a tribute, a
[...]
[...]tribute that's due to the Young; Let the ug╌ly and old, the
[...]
[...]sick╌ly and cold, think the pleasures, the pleasures of Love last too
[...]
[...]long: Let the ug╌ly and old, the sick╌ly and cold, think the
[...]
[...]pleasures, the pleasures of Love last too long. Be—
[...]
[...]
[...]
[Page 149] [...]Cho.
[...]
[...]Cho.
[...]Cho. be gone, be gone, be gone im╌╌por╌tu╌nate
[...]be gone, be gone, be gone im╌por╌tu╌nate reason, be—
[...]Cho. gone, be gone, be gone im╌por╌tu╌nate reason, be gone, be gone, be gone,
[...]be
[...]Cho.
[...]
[...]
[...]
[...]
[Page 150] [...]
[...]
[...]
[...] reason, be gone; be gone, be gone, be gone, be gone,
[...]gone; be gone, be gone, be gone, be gone, be gone, be gone, be gone, be—
[...]be gone, be gone, be gone im╌por╌tu╌nate rea╌son,
[...]— gone, be gone, be gone im╌por╌tu╌nate rea╌son, be gone, be gone, be—
[...]
[...]
[...]
[...]
[...]
[Page 151] [...]
[...]
[...]
[...]—be gone, be gone, be gone, be gone im╌por╌tu╌nate rea╌son, wisdom and
[...]—gone im╌por╌tu╌nate rea╌son, im╌por╌tunate reason,
[...]be gone, be—gone im╌por╌tu╌nate rea╌son,
[...]—gone, be gone, be gone, be gone im╌por╌tu╌nate rea╌son,
[...]
[...]
[...]
[...]
[...]
[Page 152] [...]
[...]
[...]
[...]councel is now out of sea╌son; now, now, now, now,
[...]wisdom and councell is now out of sea╌son; now, now, now,
[...]wisdom and councell is now out of sea╌son, is
[...]wisdom and councell is now out, is
[...]
[...]
[...]
[...]
[...]
[Page 153] [...]
[...]
[...]
[...]now out of sea╌son; wisdom and councel is now out of season, now
[...]now out, wisdom and councel is now out, is now out of season; now,
[...]now out of sea╌son, now, now, now out of sea╌son;
[...]now out of sea╌son; now, now, now out, wisdom and
[...]
[...]
[...]
[...]
[...]
[Page 154] [...]
[...]
[...]
[...]now, now, now, now out of sea╌son.
[...]now, now, now, now out of sea╌son.
[...]wisdom and councel is now out, is now out of sea╌son.
[...]councel is now out of sea╌son, is now out of sea╌son.
[...]
[...]Dance.
[...]
[...]
[...]
[Page 155] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]Tryumph Vic╌to╌rious
[...]
[Page 156] [...]Tryumph Vic╌to╌rious Love,
[...]Tryumph Vic╌to╌rious Love,
[...]Love, Tri╌umph
[...]
[...]Tri╌umph o're the U╌niverse;
[...]Tri╌umph o're the U╌niverse;
[...] o're the U╌niverse; the
[...]
[...]the great╌est He╌ro's bow to thee, all, all, all na╌ture
[...]the great╌est He╌ro's bow to thee, all, all, all na╌ture
[...]great╌est He╌ro's great╌est Hero's bow to thee, all, all, all na╌ture
[...]
[Page 157] [...]owns thy De╌i╌ty: all na╌ture owns—thy De╌i╌ty. Tri╌
[...]owns thy De╌i╌ty; all nature owns thy De╌i╌ty. Tri╌╌umph
[...]owns thy De╌i╌ty: all nature owns thy De╌i╌ty. Tri╌╌umph
[...]—
[...] Vic╌torious Love, Tryumph, tryumph, Tryumph o're the U╌ni╌╌verse.
[...] Vic╌torious Love, Tryumph, tryumph, Tryumph o're the U╌ni╌╌verse.
[...]— umph, tryumph, Tryumph o're the U╌ni╌╌verse.
[...]
[...]
[...]
[...]
[...]
[Page 158] [...]1 Trumpet.
[...]2 Trumpet.
[...]1 Hautboy.
[...]2 Hautboy.
[...]Tenor Hautboy.
[...]1 Violin.
[...]2 Violin.
[...]Tenor Violin.
[...]—verse.
[...]—verse.
[...]—verse.
[...]
[Page 159] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[Page 160] [...]
[...]
[...]
[...]
[...]
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[...]
[...]
[...]
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[Page 161] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]Triumph Vic╌to╌rious
[...]
[Page 162] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]triumph Vic╌to╌╌rious
[...]triumpht Vic╌to╌╌rious
[...] Love,
[...]
[Page 163] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...] love, triumph, triumph, trriumph, ore the U╌ni╌verse.
[...] love, triumph, triumph, triumph o're the U╌ni╌verse.
[...]triumph, triumph, triumph o're the U╌ni╌verse.
[...]
[Page 164] [...]Thou hast tam'd, hast tam'd all-migh╌ty Jove; hast tam'd all-
[...]Thou hast tam'd, hast tam'd all-migh╌ty Jove; hast tam'd, hast
[...]thou hast tam'd, hast
[...]
[...]migh╌ty Jove: thou hast tam'd, hast tam'd all-migh╌ty
[...]tam'd all-migh╌ty Jove: thou hast tam'd, hast tam'd all-migh╌ty
[...]tam'd all-migh╌ty Jove.
[...]
[...] Jove thou hast tam'd, hast tam'd all-migh╌ty Jove.
[...] Jove; thou hast tam'd, hast tam'd all-migh╌ty Jove.
[...]thou hast tam'd, hast tam'd all-migh╌ty Jove.
[...]
[Page 165] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[Page 166] [...]1 Trumpet.
[...]2 Trumpet.
[...]1 Hautboy.
[...]2 Hautboy.
[...]Tenor Hautboy.
[...]1 Violin.
[...]2 Violin.
[...]Tenor Violin.
[...]
[...]
[...]
[...]
[Page 167] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]Tryumph Vic╌to╌╌rious
[...]Tryumph Vic╌to╌╌rious
[...]Tryumph Vic╌to╌╌rious
[...]
[Page 168] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]
[...] Love, Vic╌to╌╌rious
[...] Love, Vic╌to╌╌rious
[...] Love, Vic╌to╌
[...]
[Page 169] [...]1 Trumpet.
[...]2 Trumpet.
[...]1 Hautboy.
[...]2 Hautboy.
[...]
[...]
[...]
[...]
[...] Love.
[...] Love.
[...]— Love, Vic╌to╌rious Love.
[...]
[Page 170] [...]Cho.
[...]
[...]Cho.
[...]
[...]Cho. 1 Violin.
[...]2 Violin.
[...]Cho. Tenor Violin, and Tenor Haut.
[...]Cho. Then all, all re╌hearse in lof╌ty
[...]Cho. Then all, all re╌hearse in lof╌ty
[...]Then all, all re╌hearse in lof╌ty
[...]Cho. Then all, all re╌hearse in lof╌ty
[...]
[Page 171] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]Verse, the glo╌ry of al-migh╌ty Love; from Pole, to Pole, his
[...]Verse, the glo╌ry of al-migh╌ty Love; from Pole, to Pole, his
[...]Verse, the glo╌ry of al-migh╌ty Love; from Pole, to Pole, his
[...]Verse, the glo—ry of al-migh╌ty Love; from Pole, to Pole, his
[...]
[Page 172] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]Fame resound; sing it, sing it, the U╌niverse a╌round; From Pole, to pole, his
[...]Fame resound; sing it, sing it, the U╌niverse a╌round: From Pole, to Pole, his
[...]Fame resound; sing it, sing it, the U╌niverse a╌round: From Pole, to Pole, his
[...]Fame resound; sing it, sing it, the U╌niverse a╌round: From Pole, to Pole, his
[...]
[Page 173] [...]
[...]
[...]
[...]
[...]
[...]
[...]
[...]Fame re╌sound; sing it, sing it, the U╌ni╌verse a╌round.
[...]Fame re╌sound; sing it, sing it, the U╌ni╌verse a╌round.
[...]Fame re╌sound; sing it, sing it, the U╌ni╌verse a╌round.
[...]Fame re╌sound; sing it, sing it, the U╌ni╌verse a╌round.
[...]
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IN order to the speedier Publication of this Book, I employed two several Printers; but One of them falling into some trouble, and the Volume swelling to a Bulk beyond my expectation, have been the Occasions of this Delay.
It has been objected that some of the Songs are already common; but I presume that the Subscribers, upon perusal of the Work, will easily be convinc'd that they are not the Essential Parts of it.
I have, according to my Promise in the Proposals, been very carefull in the Examination of every Sheet, and hope the Whole will appear as Correct as any yet Extant.
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MƲSICK Books sold by John Carr at the Middle-Temple-Gate.
THE Musical Entertainment, performed at a Musical Feast on St. Cecilia's Day, Nov. 22. 1683. The Words made by Mr. Christopher Fishburn, and set to Musick, in two, three, four, and six Parts, by Mr. Henry Purcell, Composer in Ordinary to His Sacred Majesty, and One of the Organists of His Majestie's Chappel-Royal.
The Second Book of Musical Entertainment, performed at a Musical Feast on St. Cecilia's Day, Nov. 22. 1684. The Words made by the late ingenious Mr. John Oldham, Authour of the Satyr on the Jesuits, and other excellent Poems; and set to Musick, in two, three, four, and five Parts, by Dr. John Blow, Master of the Children, and One of the Organists of His Majestie's Chappel-Royal.
An Essay to the Advancement of Musick, by T. Salmon, Price 2 s.
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Melothesia, or, Rules for Playing a continual Bass on the Harpsichord, Price 3 s.
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